Mike Herbaugh

Mike Herbaugh

Though not quite old enough to say “I remember programming with punch cards”, Michael is senior enough in his geekdom to remember the original DOS, computers with no hard drives and Fortran 77. He still remembers the day a friend handed him an old tattered copy of Stranger in a Strange Land and was immediately hooked on all things Heinlein.

On writing: “For me, it’s all about dialog and interaction between the characters. Regardless of the setting, if your characters don’t feel human, people won’t relate to them. Unless of course that is what you want.”

On 365 Tomorrows: “I feel lucky to have discovered the site as early as I did by a chance meeting online with J.R. Blackwell. I was intrigued and wanted to get as involved with the site as possible, from being an active participant in the forum, to meeting the original writers in person. I’ve been fortunate enough to be able to contribute a few stories in the second year and privileged enough to have become one of the moderators for the forum. I only wish I could be as prolific a writer as many of the great talents that have found their way to the site.”

Michael lives and works in Virginia where he is a self proclaimed Rogue Network Administrator, a title he has blatantly stolen from the talented writings of Kathy Kachelries. When he isn’t slaving over computers that have gone off the grid, he is spending most of his time being a 30 year old trapped in a 40 year old body.

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I’ve Seen Things…

365tomorrows launched August 1st, 2005 with the lofty goal of providing a new story every day for a year. We’ve been on the wire ever since.

Our stories are a mix of those lovingly hand crafted by a talented pool of staff writers, and select stories received by submission.

The archives are deep, feel free to dive in.

Tomorrows Past

A Point in Time

February 2012
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What is Flash Fiction?

"Flash fiction is fiction with its teeth bared and its claws extended, lithe and muscular with no extra fat. It pounces in the first paragraph, and if those claws aren’t embedded in the reader by the start of the second, the story began a paragraph too soon. There is no margin for error. Every word must be essential, and if it isn’t essential, it must be eliminated."

Kathy Kachelries, Founding Member