That Somniferous Interlude

by 

Author : Zachary Whitten

Looking out the plexiglass window, he could see almost all the way across the station. In bed behind him, his Jane sighed and rolled over. She obviously wasn’t a Sardine, her body was too short, her muscles were too big and her skin had the fading remnants of a tan.

He was born and raised on the station. The low gravity and artificial light of the station meant that the people who lived here, half-mockingly called Sardines, grew long, lithe and pale.

It had become a fashionable thing for people of means to leave the brown hotness of Earth and come up to the stations for their vacations. Visiting a Sardine prostitute was a regular pastime for the Earthers. The stations were legal grey areas already, so the brothels fit right along with the plastic surgery clinics and gene-drug houses.

He didn’t mind the job, there wasn’t much else for Sardines his age. He liked this part the best, though. After they were done and she was sleeping. He’d stay awake, pretending that this finery was all his. Pretending he belonged here. After awhile, he’d take all the booze in the minibar and slip out, his Jane still sleeping.

Discuss the Future: The 365 Tomorrows Forums
The 365 Tomorrows Free Podcast: Voices of Tomorrow
This is your future: Submit your stories to 365 Tomorrows

« Previous Story · Blue Eyes
Next Story · Medic »
Random Story · Texicana

Comments are closed.

I’ve Seen Things…

365tomorrows launched August 1st, 2005 with the lofty goal of providing a new story every day for a year. We’ve been on the wire ever since.

Our stories are a mix of those lovingly hand crafted by a talented pool of staff writers, and select stories received by submission.

The archives are deep, feel free to dive in.

Tomorrows Past

A Point in Time

February 2012
M T W T F S S
« Jan    
 12345
6789101112
13141516171819
20212223242526
272829  

What is Flash Fiction?

"Flash fiction is fiction with its teeth bared and its claws extended, lithe and muscular with no extra fat. It pounces in the first paragraph, and if those claws aren’t embedded in the reader by the start of the second, the story began a paragraph too soon. There is no margin for error. Every word must be essential, and if it isn’t essential, it must be eliminated."

Kathy Kachelries, Founding Member