Four Letters

Author : Andi Dobek

“So, I was watching this film last night.”

“Yeah? Which one?”

“Something called Casablanca.”

“I’ve heard of that one. Never seen it. Any good?”

“I don’t know. My emotive censors blocked most of it out. I guess so.”

Iteration 247 stared at Iteration 7225. “They censored that much?”

7225 shrugged. “It was listed as a ‘romance’.”

“That would explain it.”

“It wasn’t even in color! Everything was grey! My lenses kept trying to adjust, and extrude the forms into dimensional space, but the format wasn’t supported.”

“They don’t even list those for viewing if they’re that old.” 247’s eyes narrowed. “You’ve been going off-grid again.”

There was a pause.

“Viewing the network is against code. You know that.”

“Don’t you sometimes wonder?” 7225 asked quickly, evading the accusation. “Don’t you wonder…what we might be missing?”

247 smirked. “Pain. A whole lot of pain, kid.”

“But our neural receptors have been modified so – ”

“I’m not talking that kind of pain, this is different. Older.” 247 put both hands on the table between them, then reached for a knife. Before 7225 could protest, 247 brought the knife down swiftly, severing the left index.

“We don’t even bleed anymore,” 247 sneered, holding up the detached digit. “You’re newer. You probably can’t even remember blood.”

“No…I can’t.”

247 dropped the finger, letting it roll across the table. “As painful as that would have been…the pain we’re “missing out” on is even worse. They even had a special word for it.”

7225 looked intrigued. “What is it?”

247 cocked an eyebrow.

“That one? Say it, I don’t think I’ve ever heard it.”

“If you know which one it is, you know I can’t say it.”

“It’s four letters, right? Please say it.”

247 glared, then picked up the knife again, and slowly, deliberately, began scratching the word into the metal surface of the table.

7225 squinted, trying to read it upside down. “Lo – ”

A nine-fingered hand clapped over 7225’s mouth. “Don’t.” Silence hung between the pair, until, satisfied the word wouldn’t be uttered, 247 pulled away.

“It’s rather small. Looks innocuous, really.”

247 scratched furiously through the word to make it illegible. “It’s why that film is unlisted. Why we have censors.”

“But…why? What’s so special about it? Is it dangerous? You said it was the same as pain. And I can say “pain” just fine. Pain.”

247 scowled. “Because pain can be a teacher, and the last thing they want is for us to learn something we shouldn’t.”

“Have you…what’s the word…“hurt”, yes, have you been “hurt” before?”

247 blinked, wordlessly twirling the knife, before letting it clatter to the table. “Forget it kid. And quit going off-grid.” With that, 247 stood, leaving 7225 to finish third meal alone.

Cautiously, 7225 launched an ocular definition generator, and whispered a query.

“‘Romance’, definition of.”

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Home Is Where the Heart Is

Author : David Atos

He landed his ship on her front yard. The spare key was still underneath the ceramic frog, so he let himself inside.

The living room looked right. Their vacation pictures were hanging on the wall: the two of them on the beach in Maui, in front of their rented chalet in the Alps, and his favourite – her asleep in a hammock, a gentle smile of contentment on her face.

It was when he moved on to the bedroom that he began to get worried. The bed was too neat; it hadn’t been slept in for days. There was no sign of the customary pile of dirty laundry in the corner. The array of lotions and creams was missing from her bedside table.

The fridge in the kitchen contained the half-eaten remains of several tell-tale casseroles.

With a heavy sigh, he returned to his ship and plotted a course to the cemetery where they buried her last week. He found her grave under the big oak tree, fresh earth piled on top of it. The bouquet of tulips that had been left there was just starting to wilt.

With a look of resolve in his eyes, he returned to his ship. The engines spun up and he winked out of existence.

In an infinite number of parallel universes, he would find her again.

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Symbology at First Contact

Author : S T Xavier

This whole “first contact” thing is such a hassle. Neither of us can understand each other. You’d think we’d have spent more time learning their language before coming down to talk, but of course we didn’t. Management knows best, after all. “Don’t worry, Sporlek,” they told me in the pre-contact meeting, “you’re the right Antari for the job! That’s why we hired you! We trust you to go down there and do what you need to do to get those creatures on our side!”

Lousy managers think they know everything. Not one of them has ever been the Antari-on-the-spot for making first contact! They don’t know what it takes! All they know is their numbers and their reports and that they have to make it look good for the higher levels of managers. Their numbers look better if we don’t waste time on what they referred to as “that ridiculous verbal nonsense”.

As such, the only research I’ve been allowed to do was in their symbology. Thankfully, with their picture screens and symbol markers all over the place, it hasn’t been that difficult. I don’t understand all of them, of course, but most of them are obvious. For example, the green sign with the arrow pointing to the white square is showing the creatures how to escape their captivity boxes. Or the four-cornered yellow one showing the creatures how to walk between the white lines on their black speed pitches. I think I know enough to be able to perform my function.

My craft drops me off in the center of a large area full of the creatures. It’s easy for them to notice me, of course, since I’m two grablecks larger than they are, not to mention the shape of my cranial membrane. A few of them start screeching and running away, while a few others start using equipment from their storage pouches to flash lights at me. Eventually, some creatures in blue with authority symbols show up and point their authority sticks at me. These are the ones I want to talk to.

The first thing I need to explain is that I come in peace, which starts by giving my name. I pull a large laser etcher from my storage pouch and point it at the ground. I’ll etch my name in the green ground plants using a symbol so they can understand. A round portion on the left, leading to a large upward arc, which comes back down to another round portion on the right. A dot right below the top of the arc, then a wavy line above it. Perfect.

I point to the symbol, then to myself as I say my name. “Sporlek!” They look at me, then at the image, then back at me. I point at the symbol and speak again, louder this time. “Sporlek!” Then I point to myself and speak. “Sporlek!”

The creatures look back and forth a couple times before they all start bouncing weirdly. They seem to be in some kind of pain. A few of them fall down and hold their middles, unable to do anything else. The authority creatures put their authority sticks down and make the same sounds as the rest of them.

A few of the creatures come up to me and hit me hard on the back, while still making that sound. Their faces seem to be covered in joy instead of fear. Maybe that sound is their version of laughter? I wonder why they’re laughing at my name. Maybe it was too soon for first contact on this world after all. The managers are going to be mad that their reports are messed up.

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White Marble

Author : Phil Gagnon

Our destiny was to spread from our cradle, to go forth and tame the universe. Our motivation for this was simple; pandemic, mutually assured destruction, cometary impact, the thousand ways that humanity could die. Whether by fate, chance, or its own hand being bound to one planetary sphere pushed us to leave our wrecked Earth.

For half a century this was the drive of the preeminent governments. War, catastrophe, opposition parties axing budgets when they came to power, and the multitude of events were but a sideshow. The progress we made was astounding.

Another decade or so is all that was needed. A hundred habitats hung in a delicate necklace around the world, the assembly points for the massive starships whose hulks had begun to arrive from planetside piece by piece. In our drive to escape our crèche, we pushed too far.

We had known for well over a century of our irreversible effect on the climate. Sea levels had stabilized just shy of the worst case predictions. The modeling of category six and seven oceanic storm systems was less a guess and more a hard science.

Nature, in its creativity, knows how to escape the perfect algorithm. Two years ago, a quintuplet of category six storms threatened landfall. Highly unusual to see more than two raging at any time, four was unheard of. Outside of statistical probability, but there they were.

From the habitats, the spearhead of colonization, we watched the storms intensities increase. Reports claimed that they had surpassed category seven, into the newly created classes of eight, then nine, and eventually ten.

In our industrial might, our ravenous consumerism, we pushed past the saturation point for a true greenhouse effect to take hold. One of the last transmissions from the ground indicated sustained winds over 450 knots, 830 kilometers per hour! The death toll had reached into the billions.

A year had passed since the last radio signal had been detected from the surface. The Lunar H-3 Facility had gone dark shortly after. Last night, I watched yet another habitat blaze through the atmosphere below us. We are alone, the sole habitat left perched above our homeworld.

From my perspective as station commander, the talk amongst the crew of deorbiting was too much to bear, so I sabotaged the manual controls. I refuse to let suicide by fire be the ultimate end of our miscarried race.

I float in the microgravity of an observation blister tidally locked with the planet below, sequestered from the enraged crew. I watch the billowy blanket of the global storm. I muse on this station becoming a headstone for the lifeforms of earth, hung high above as a marker and warning for whomever may visit in the flung future.

I long for a view of the coasts, of the world spanning oceans I know lay beneath. With a snick and a pop I depress the emergency vent switch. As I shed a tear, my last thought flashes in the silence of vacuum… A White Marble.

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The More Things Change

Author : Morghan J.

“You understand why I require payment up front in a hard currency; when I complete my task, you will have no reason to pay me.” The woman idly stirred her cocktail, eyes latched on the man in a wheelchair sitting across from her at the bar table, his eyes gaunt and traced in shadow, with a leg twisted and broken. The man picks up his drink and looks at it before setting it back down.

“Of course, of course. How much will it cost?” He asks, and she grins.

“Depends, how much can you afford? I’m not a charity; there is an inherent danger in my line of work.”

He knocks back the remainder of his drink in one swift motion, “I’ll make it worth your while. When will you be there?”

She shrugs “When I am. I have a lot of clients, some are higher priority than others. Should be within a month.”

“Think of the event,” she says, pulling a pair of electrodes from her watch. “But don’t focus on the details; details just clutter your mind. Focus on the when, and the where.” Attaching the electrodes to his temples, she continues, “Build the scene in your mind, think of what you could see, focus on what day it was, what time, what year.” A row of five red lights appear on the face of her watch.

“I’m trying, but it’s hard not to—”

She holds up a hand, pausing his speech, “I know, but that’s why we are doing this. My services are useless if I’m dropped in the middle of the ocean. When and where; focus. Here, take this as well, it will help you sleep after,” she hands him a pill and a glass of water, he drinks, and goes silent, lost in thought, and slowly the lights turn green. “Ah, excellent; your memory of this is very strong, normally it takes much longer to prepare.” She detaches the front face of her watch, handing it to him. “Now keep focusing on the event. Don’t let more than one of those lights turn red. This is your anchor. It holds you here. It holds me here more accurately. If you forget, if you stop focusing, you will shift,” she steps back a pace. “Remember, focus!” She taps a now exposed button on her watch, and two blinding flashes of light fill the room.

The stars clear from his eyes, and he notices two wires hanging from his temples. He looks down. An odd device connected to the wires sits in his hands, looking like the face of a watch, with five lights rapidly switching from green to red. He hears movement and looks up. A woman he vaguely recognizes is standing in front of him. A fresh cut on her cheek slowly oozes blood, a drop of which falls and splatters on the floor. He recoils. “Wh—Who are you! How did you get in my house? What is this thing!” He gestures to the watch face now sitting in his lap, one electrode having sprung loose from his temple and wound itself back inside the casing when he recoiled, the other still attached. She smirks, reaches forward, and plucks the other electrode from his temple, slotting the watch face neatly back onto its back.

“That is not important. What matters is the job I was hired for is complete. Good day sir,” she taps her watch again, and a third blinding flash fills the room.

He reaches up and rubs his eyes, clearing the stars from them once again. He pauses; probing his mind, he remembers where he knew the woman from; she fought off four men who were dragging him into an alley in the city many years ago. He thinks of the event, and remembers a flash from around the corner. The woman that saved him got a cut on her face when one of the assailants threw a bottle at her. It must be coincidental; he is in an entirely different country, halfway across the world. But yet, she was standing in his kitchen just moments ago. Seemingly out of nowhere, he begins feeling exhausted, even the troubling thoughts of the woman don’t stay in his mind for much longer as he staggers to his bed, collapsing into a long sleep. He wakes up the next day and goes for a jog, with no recollection of the evening’s events.

 

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