The Fugitive

by | Aug 17, 2025 | Story | 2 comments

Author: Bill Cox

She weeps and Tony’s heart aches like never before. He knows that he will do absolutely anything to protect her. He holds her close and she burrows into his chest, her sobs echoing through his ribcage.

“It’s going to be all right,” Tony whispers, caressing her head gently, “I’ll hide you from them.”

Her sobs pause, she looks up at him.

“Really? You’d do that for me?” she asks, her sky-blue eyes so big that Tony feels himself plummeting into them.

“Yes,” he replies, “Absolutely!”

Tony’s never felt such conviction in his life. The young girl was a stranger banging on his door mere moments ago. Now, he’s sure that he’d give up his very existence to preserve hers.

Some discordant thoughts hover at the edge of this conviction, but she smiles and any doubts melt away like morning fog on a hot summer’s day. She turns her head slightly and he becomes aware of the sound of vehicles approaching the cottage.

“They’re coming,” she whimpers.

Tony feels a power rise within his chest, an iron determination to protect this girl.

“Quickly,” he says, “There’s room to hide underneath the house.”

He walks briskly through to the bathroom and lifts the aged carpet. There’s a small hatch in the floorboards which he pulls up, revealing a dark space below. Her small frame descends into the darkness without difficulty.

She looks up at him, a mixture of emotions playing across her face. There’s fear, which bolsters his anger at her pursuers, but also a flicker of admiration, which swells his chest with pride.

There’s a loud knock at the door.

Tony replaces the hatch and carpet, walks to the front door and opens it. A number of armed men, clad entirely in black, stand there.

“Where is she?” the lead man demands.

“Who?” he replies.

“Anderson?” the man asks one of his colleagues.

“Definite signal from here, within ten metres,” the man replies, consulting a hand-held instrument.

They barge past him into the house, noisily searching the rooms. Tony’s rage builds.

“Down here!” comes a cry from the bathroom.

The next moments are hectic, disjointed. Tony fights them, fists swinging wildly. There’s a shout of “Taser”, a searing spasm of pain. He falls to the floor.

From the bathroom, he’s aware of shouts, yells, what sounds like bones breaking, followed by gunfire.

Tony lies on the ground, unable to move, shame at his failure to protect the girl flooding through his veins.

Someone kneels down beside him.

“Just hold still, mate. I’m a medic, I’m going to check you over.”

He finds his voice. Just a rasp, but enough to be heard.

“Why have they hurt her?” he pleads.

“Ah, it got you good, didn’t it? Listen, it wasn’t a real girl. Just a mechanical shell, with a really good AI inside. They’re too smart, you see, that’s why we hunt them down. They understand us so well they can hack our instincts, wrap you around their little finger. You can’t think your way out of it, it’s all on an unconscious level. Techno-hypnosis, they call it. Don’t worry though, it’ll wear off.”

Tony lies there, the feeling slowly coming back into his limbs. The discordant thoughts from earlier come into focus; the obviously mechanical girl who smelled of plastic and oil, standing at his front door.

Tony feels like a fool and sobs quietly. The soldiers drag the destroyed robot shell outside. Something young did die here today though, its death but a small victory in Planet Earth’s latest war for evolutionary supremacy.

Shiny

by | Aug 16, 2025 | Story | 1 comment

Author: James Sallis

Head propped against the bed’s headboard, half a glass of single malt at hand, the dying man readies himself for the nothingness that awaits him. He imagines it as a pool of something warm, light oil perhaps, in which he will float lazily out from the banks and curbs of his life, slowly dissolving.
Each time he looks that way, the boy blinks his headlights. Love swells in the dying man then, like tears ready to be shed, tears or love, tears and love, for the boy, for the lost past, for all the sweetness and intractability of it.

She was a knockout sedan, cream over light green. They met at a car swap on town square, Rowley being one of a handful of old towns that hadn’t razed the square to make space for more storefronts. Old town, old square, cars to fit. Tradition’s a fine thing, right?

Hers was beauty to die for. Gentle swells of her body, the crackle of energy from her, the rumble of her low steady voice. They’d sneak out together at night (no one else could ever know, or understand) and go for long drives along the coastline, deep into the apocryphal city.

Wave after wave of memories spill over him, through him. He is becoming ever less a physical presence and ever more a thought with bits of flesh clinging to bone. As with the food he tries and tries again to keep down, there’s nothing to be gained from memories, but they’re what he has. Those, and the boy.

It can’t be easy for the boy, being here, even though it’s all he’s ever known. The road must be calling. He’s in the process of becoming as well. Restless, undiscovered, uncatalogued.

The boy blinks his headlights as the dying man again looks his way. The dying man thinks: Carburetor breathing, generator hit the spark, oil in good condition, got that battery charged.

Two failed marriages and long years of empty rooms have left the dying man with few expectations. Even when they met, the boy’s mother and he, he was well along in years, the yeasty stuff of youth, its passions and promise, its silly hopefulness, little more than tattered memory. The remainder of his days, he’d believed, would pass in solitude. And now he believed it again.

But oh, the stories they told one another! Sitting in bright moonlight atop Chain Hill, or running the curves of West Road with the beach unrolling to one side, mountains at the other, endless sky above them, the whole of the night a single held breath.

His own breath feels now as though it comes from below, as though he’s drifted above his body and is afloat there. The pain he’s lived with for so long – where has that gone?

Emotions, loss among them, are difficult to parse, hopelessly entangled, but the dying man could never find it in his heart to blame her, only to forgive. There had been so little surprise when she left them.
She was made for open roads, motion, speed, distance, not for his world of houses, garages, driveways.
And the boy. He has the boy.

He wonders if loss, the anticipation of it, isn’t built into every consuming emotion, built into passion itself. He wonders if it’s only his slipping from the world that makes room for such grand thoughts.
Will the boy stay once he’s gone, or will the road then lay claim? There’s quite a lot of his mother in him. Somewhere the boy’s very own endless sky awaits him. The dying man thinks: Soon enough they’ll both be gone.

Gingerbread House

by | Aug 15, 2025 | Story | 0 comments

Author: Rachel Handley

“This is a terrible idea” I said.
My sentience had arrived after the first gingerbread brick was lain. I was now almost fully formed and, with nothing else to do, I told the witch exactly what I thought of her so-called house.
“Be quiet, house,” said the witch.
“Seriously though, why not have a normal house with sweets inside it? Why go full candy-house? Why make me sentient? I think you need to take a good long look at yourself.”
The witch sighed.
“Silence” she said, digging a small hole in my gingerbread limbs with her long black nail. She picked out a chunk of me and threw it onto the floor.
“You can hurt me all you want” I said, “but you know this is weird. Like, why make a sentient house from food to catch even more sentient food?”
“You are not food. You are merely a trap for the food. I like my food plump.”
“I don’t even know what plump means” I said.
“You will soon enough” she said just as two small humans came into view. I could hear them shouting at one another.
The witch opened my candy cane door and beckoned the children in.
“Welcome, children. Please, help yourselves” she said, closing the door.
The air was thick and sweet inside. The children looked, open-mouthed, at my chocolate ceiling. My decoration was of my own choosing; icing window frames of pink and white, chocolate veins reaching through the walls until they reached the rich dark ceiling. My body stretched beyond the sweet walls. I was the sweet air itself.
“Ouch” I said.
The smallest of the children, a blonde boy with a toothless grin and a chunk of gingerbread in his hand, jumped back.
“Quiet, house,” said the witch.
“What?” he asked looking around.
“The house is alive?” said the girl, eyes wide.
The witch thrust her hand into my wall, and I clung to it. Sugar seeped out.
“She means to eat you” I said.
“That’s so weird,” said the boy.
“I know.” I said as the children threw me to the floor and ran.
The witch clawed at me with her feet as I took her other arm.
“House! Stop this at once! What are we to eat? You fool.”
“We? I already have my dinner planned” I said as I sucked the witch into my chocolate mouth.

One Room and a Matchbook

by | Aug 14, 2025 | Story | 1 comment

Author: Lynne Curry

I didn’t get the house. Not the Lexus, the lake lot, the gilded dental practice or the damn espresso machine I bought him the year he started molar sculpting.
I got a one-room cabin. Ninety miles south of Anchorage. No plumbing. A stove that belches smoke. A roof that drips snowmelt onto my bed.
Daniel handed it over like a favor. Like a pat on the head for staying quiet. Like I wouldn’t notice he kept everything else. He tossed the keys across the lawyer’s desk with that old glint—the one that used to mean sex, then morphed into you’re nothing.
I had designed every inch of his house on the Hill—hand-picked the walnut, matched the stone to the mountains’ stormy gray, laid cables for smart lights he never figured out how to dim. The house wore my fingerprints; the deed never wore my name.
So now it’s me and this cabin. A stove that burps smoke. The last time I looked in the mirror, I counted more regrets than wrinkles. I watch snow slough off the peaks and wonder if they feel the weight before they let go.
But I’m not here to sulk. I’m here to look. Because his father—Anton Volkov—had secrets. A Soviet-born Alaskan dentist with burner phones and a habit of going off-grid.

Daniel had despised him—and this cabin. Said it stank of mildew and fish guts. But Anton visited it regularly. Even after the stroke, he had someone bring him down to check the locks and the propane tanks.
And Anton had hated Daniel but liked me.
The first night here, I didn’t sleep. Just sat on the floor with a box of Franzia, listening to snowmelt plink through the rafters.
Around midnight, I grabbed a chisel from the drawer and started prying up warped floorboards looking for what brought Anton here so often.
I’d about given up when I lifted the third plank from the wall under the bed. Sawdust, mice skeletons and a rusted metal box, shallow-buried in and grit. Corroded hinges but an intact padlock.
Inside: Documents. Photos. Deeds. A plastic bag packed with cash bundles, green gone soft with mold. A folder stamped DOJ Evidence.
Anton’s Mine. Wire transfers. Offshore accounts. Receipts in Russian. A scanned passport photo of me. My signature—sort of.
Everything Daniel claimed he didn’t know how to do—he’d done it all. With my forged signature on the shell corp.
I didn’t cry. Didn’t scream. Just sat back on my heels and let the rot claw its way up my throat.
Anton had meant to burn Daniel.
He’d left me the matchbook.
At sunrise, I washed my hands in snowmelt and drove to Anchorage.
By sunset, I had a lawyer. By the next week, I had the Feds. By spring, they had him.
Now I have the house on the Hill. The espresso machine. His chair at the dental board.
And I kept the cabin.

Ed. Note: This story was first published by Literary Garage

Tiger Woman in a Taxi-Cab

by | Aug 13, 2025 | Story | 0 comments

Author: Hillary Lyon

Jenna slid into the first available self-driving taxi. She kept her cat-eye sunglasses on even though it was dim in the cab’s interior; the sunglasses complimented her tiger-stripe patterned coat, completing her look. She liked that, though some members of her gang said it shouted ‘cat burglar.’ That’s what she was, Jenna countered, so why not dress like a comic book villainess? Besides, civilians on the street we too hypnotized by the glowing screens of their phones to notice her.

She settled back in the comfy folds of the taxi’s back seat, mentally reviewing her next gig. It would be easy-peasy slinking through the hotel lobby, accessing the elevator. The occupant of room 913 would be out all evening as the guest of a much-hyped gala event ten blocks away. The hardest part of this job will be deciding what to take for myself, Janna mused, and what to share with the gang.

“Welcome,” the taxi’s concierge voice purred. “Please remove your sunglasses.”

“Why?” This is new, Jenna groused to herself. The taxi’s request unnerved her.

“Facial recognition scan. For our passenger records, as mandated by the recent federal regulation 568KOL23.”

Jenna scowled and removed her sunglasses. As the green light of the scan rolled down her face she flared her nostrils, squeezed her eyes closed, and pursed her lips. An unbecoming face she used to make for middle school year-book pictures. Now it was her attempt to foil the scan.

I have no criminal record on file, she reminded herself. This nothing but public safety theater.

“Where to?” the taxi asked. It would add this information to her file.

Jenna relaxed. “Hazelwood Hotel.”

The locks on the doors of the auto-taxi clicked as the vehicle pulled out into traffic.

“Excuse me,” Jenna said after noticing the street names. “You’re going the wrong way.” She was on a tight schedule, and this auto-taxi was going to muck up the works. “The Hazelwood is north on Wozniak Way, and we’re traveling south. Turn. Around.”

“Apologies,” the taxi replied, “but we have been re-routed to the police station on Singa Street.”

“Why?”

“Records show you have an over-due library book. Young adult fiction. The Alley Cat of the Catskills. 183 pages with color illustrations.”

Jenna scoffed. “I read that book the summer I was twelve. I returned it.”

“Records say otherwise.” The voice continued. “Accumulated late fees, penalties, and compounded interest means—”

“I know I turned it in,” Jenna talked over the taxi’s voice. “Decades ago.”

“You are Class E Felon.”

Jenna slumped back in the seat. Her thieving ways had started early, around the same time she’d learned she had a knack for talking her way out of any situation. Just put me in front of a human judge, she reassured herself, and I’ll be out in a jiffy.

Outside her window, it began to rain. The water would ruin her hairstyle, but she assumed it would just roll off her beloved tiger-stripe patterned coat. After all, she nicked this coat on one of her more lucrative heists. It was a high quality piece.

Arriving at the station, an android cop helped her out of the cab. On the way up the steps, he informed her she’d been assigned to Judge B3RX7. Without comment she walked on as the rain soaked her coat, bleeding the fashionable tiger-stripe pattern into a muddy mess. Like her life.