by submission | Aug 13, 2008 | Story
Author : L.Hall
“I loved a woman once..”
Lil looked up sharply, immediately checking the oxygen gages. Walkers usually started talking morosely when they had a pressure leak. If that was so, she’d need to pull him in quickly. All the gages showed 80%, no pressure leak.
“Robert, you need to focus on the crack.. that last shower really pockmarked us. We don’t want to lose any hull integrity.” She leaned over and looked out the port side, checking visually to see if the dull metal suit was still tethered to the exit port. His voice crackled over the speaker..
“Robert… Robert… You haven’t called me that in a long time, Lil. Just Bob and maybe Lieutenant..”
Lil began to feel a sort of panic creep inside her stomach. She immediately started recall procedures, watching the tether slowly tighten. As Robert began to move very slowly away from the damaged hull, he began to chuckle. Lil felt her stomach tightening and began to mutter, “aw jesus, I’m gonna lose him.” over and over.
“You wanna know why people can’t handle walking, Lil?” his voice crackled and pushed through the silent control room. The two other techs in the room had stopped and joined her at the port side window.. “They can’t handle the space of it. The sheer size of the emptiness. It does something to them.”
“Walkers.. they like it. Because, you know, Lil.. the emptiness here can’t even touch the emptiness in them.”
The tether kept slowly pulling him back to the dull metallic exit port. Lil kept mouthing “I’m gonna lose him” over and over like a mantra.. praying to the universe that he would keep talking until they could actually get him in the door. The suit moved at an excruciatingly slow pace, his face hidden by the reflective coating.. She could see the light from the nearby sun glimmer on his helmet.
By this time, a third of the crew were at port side windows, gazing out silently. The suit was maybe a dozen meters away from the exit port, where a medical team stood at the ready.. waiting. If they could just get him in….
“Lil…” the voice crackled over the system.
“Robert?” she said quietly into the mike, unsure of what to say. Protocol procedures didn’t really prepare a person for it, and she silently ticked off the meters watching the suit slowly move.
“I… I think I’m going to go for a walk with the stars.”
Lil watched as he went offline with the communication system, took the metal cutters and cut the tether. One of the techs began to sob as they watched his thick gloved hands pulled at one of the connectors, creating a small breach in the pressure suit.. Oxygen began to leak out, leaving a small crystalline trail as it propelled him minutely away from the ship.
Lil reached down and called a recover team, knowing full well it would take the better part of an hour for the ship to be readied, crew assembled and maneuvered to where it could pick up his body. As the crew slowly and quietly drifted back to the tasks at hand, Lil stood at the window.. watching his final walk.
by Duncan Shields | Aug 12, 2008 | Story
Author : Duncan Shields, Staff Writer
It was Momma Spokes that helped me in the afterlife.
It was a hard first few months of living back then in the rusted shards and sewage filters. Sustenance was brutally fought over and hoarded. Flatlines happened every day over something as small as a few watts of power or a few grams of fuel.
They had thrown us outside the city walls. We were obsolete. We were cheaper to throw away than to repair.
“Upgrade” was a word we’d learned to fear. It meant change was on the way: A hardware overhaul if we were lucky, maybe a memory wipe to make room for new installations if we weren’t.
About half of the time, “upgrade” meant scrapped. Things with surnames an integer higher than yours showed up in crates with greedy cables. You were unbolted, trucked and tossed.
Thrown to the junkyard outside.
We are amalgams of the units that are thrown over the city walls. We replace burnt-out parts on our own frames with parts from other units. Without a fresh supply, our numbers would dwindle but thanks to fresh ‘antiques’, we never completely die out.
It was because I was mostly mobile that I could fight when I first landed. I defended myself from a unit who had electrical barbs on his fingertips.
I reached into his stomach and pulled out his battery after ducking beneath his first clumsy swing. I didn’t even think about it. He went down.
As I stood there, contemplating what I had done, Mamma Spokes came over and said that she’d take me in for a share of his carcass.
I agreed. That’s how I ended up with that unit’s anterior leph node and fingertips taser-barbs. I found out later that his name had been Mr. Tingles and that he’d been causing a lot of fear around the ‘yard. Killing him brought me a small amount of fame for a time.
Mamma Spokes named me Hyena Brandy. Brandy because I’d been a bartender back in the city and Hyena because of the rust spots I had when she first found me. Also the fact that I had a face built with a permanent smile for the customers and was programmed to laugh politely at any attempt at humour.
I’ve taken many units since the Mr. Tingles. Treads, blades, arcs, projectors, armour, manipulators and sensors.
Occasionally we find polymers or plastic hides to make us look more beautiful. A shiny part brings back memories of being new. The occasional enamel finish can find its way to us. I had a savage fight with one of my sisters once over a can of metallic cherry paint. I won. Upgrade.
Mamma Spokes is always careful to stay more powerful than her daughters and to keep us evenly balanced out. It’s a delicate act. She has a cable feed to the edges of the city and knows what is about to come down from the top of the wall. It gives us our advantage. As a family, we are growing powerful in this rustpile. The other units no longer look up to us. They fear us.
Upgrade is a word that I look forward to now. It means murder.
by Sam Clough | Aug 11, 2008 | Story
Author : Sam Clough, Staff Writer
“I cannot sing the old songs, the songs I sang so long ago…”
Guin kicked her heels, muttering the misremembered words to herself. She hadn’t changed. She still looked as young as ever: her dark skin was as flawless as it had ever been. For the first time in her life, though, she felt old. Ara and Lance had gone. Zen and Jason were dead. But she couldn’t bring herself to abandon the City quite yet. None of the ways out seemed to work for her.
She’d been a gardener for a time. She had found the physical aspects work relaxing. But the constant flux of plants growing, dying back and growing again grated against her nerves. She eventually grew to hate the garden. She felt like the plants were mocking her, screaming out to the world that she was the only thing that didn’t follow the pattern. That she wasn’t natural.
It was perfectly true, of course. Guin was artificial. One of the fifth generation of artificial humans that had been constructed in the test laboratories of Integration Project. She was number five-oh-four; that was the number on the Integration Project ID card that had been issued to her. That was the number that was etched into each and every one of the deceptively simple mechanical components that moved silently beneath her skin. Well, almost every component. She’d replaced a number of them herself as they began to fail, using a three-dimensional printer left behind by Lance.
With a little caution, she could probably live forever.
Ara, number five-oh-oh, left the City almost as soon as she could. She was always the cautious one. She compulsively collected data, and was the one who broke skillchips out of the Integration Project without being seen. Presumably, she was still safe, and hopefully so was Lance. Jason, though, was dead, disassembled amongst the labs of the Project. He had attempted to break in to steal documentation and equipment, and sow a little destruction. He hadn’t made it past the first sub-level. Zen had quietly committed suicide.
Guin looked up at the sound of footfalls. A girl, no older than Guin’s apparent age, was walking towards her. Keeping step with the girl was what appeared to be a wolf. Guin stood up, and faced them.
“You’re five-oh-four.” The girl spoke with absolute assurance. “Where are the others?”
“Outside laboratory circumstances, just like me.” The euphemism came easily to Guin. “More to the point, who are you?”
“Senka. Sixth Generation. This is Schuyler,” she ran her hand over the wolflike head, “a prototype. They told us about your series. That you were flawed, and violent. Why haven’t you attacked us?”
“I’m tired, Senka. You’re young. You’ve yet to realise that ‘Integration’ is a joke. Not sure about you, Schuyler, but Senka, I have some advice for you. You can talk to people all you want, but you’ll never be able to identify with them. The scientists understand you in a physical sense, but they can’t grasp how you think. Normal people don’t – and can’t – relate to you.” Guin saw Schuyler tense, ready to spring.
“I’ve been asked to bring you home. They’ve been watching your progress with interest. It was the remains of five-oh-three and your progress out in the world that inspired them to create me.”
“They never knew how to make us into convincing liars. You’ve been sent to offline me, Senka. You might just be the way out I’ve been waiting for.”
by submission | Aug 10, 2008 | Story
Author : Phillip English
It began with the PC release of Armageddon.
No, it’s not what you’re thinking, the kids didn’t rise up and swallow us with anarchist notions imbued through Satanic images found in a video game. The violence presented in that game was simply a marketing decision to best accomplish the dual objectives of getting kids interested and setting the bar high enough for the inevitable clones to work under. These initial foundations placed the emphasis on pitting the player versus the standard computer opponent, the omniscient overlord mixed of equal parts masochist and voyeur. We didn’t yet have the technology to start collecting the data, but like I said, we needed to get kids interested. Blood, gore, and demons with rocket-launchers was the best way to ensure they would bug their parents to buy computers, and with them the games that they would spend hour upon hour playing, bashing away at the keyboard like the most obedient of Shakespeare’s monkeys. We wanted it to become the norm to be able to look into any family household on a weeknight and see a pimply face glued to the screen, blasting away at aliens, demons, zombies, or humans. It was a gamble, conservatives are never quite as predictable as people say, and we weren’t sure if they would allow such a thing into their households without a fight.
But it worked. Whether it was because we’d provided the parents with another convenient method of distracting the kids, or because the kids were too damn good at getting what they wanted, it didn’t matter. Riding on the backs of casual games filled with rainbows and fluffy animals, the shooters infiltrated the market and began amassing admirers. We poked and prodded the market–an advertisement here, an embarrassed admission of addiction by a celebrity there–and their popularity grew exponentially. Our investments in networking eventually produced the infrastructure necessary to set the ball rolling on our grand experiment. Businesses, homes, and countries were gradually wired, and with that came the thirst for human competitors that didn’t get stuck on the corners of virtual buildings, or shot circles into the clouds. From that point, ladies and gentlemen, it was on for young and old. Even before the internet became convenient and commonplace, players went to great lengths to blow the crap out of each other; kids dragged their PCs for miles to each other’s houses for a few hours of violent heaven. When the ‘net did arrive, there was always someone willing to have a shot at ripping you a new asshole in the back of your head, next door or next continent.
And the data started trickling in.
It was shoddy data–approximations everywhere and no way that we could possibly start to make the kind of predictions we needed to–but it was data nonetheless. And all we needed to do was record it, take into account inaccuracies, and wait for the tech to evolve as we knew it would, and did. Three-dee space was followed by realistic body physics, was followed by interactive environments, was followed by dynamic scenarios, was followed by virtual reality, was followed by well-immersion and psychokinetics. Every hour of every day there was someone playing, feeding us their decisions, offering us their probabilities. Where would they turn? Would they run if a shot was fired near them? How low on health did they have to be before they decided to go kamikaze? Would they help their friends if they were under fire? Would commander players retreat when faced with overwhelming odds? Through it all we collected. We built a data set filled with astronomical hours of playtime, devised more all-encompassing models by the minute, made sure every variable was refined to perfection. Then, we extrapolated forward.
Our finger is paused over the button that will begin the war to end all wars.
Game on.
by submission | Aug 9, 2008 | Story
Author : Robert Niescier
When the captain sent the message, he wasn’t thinking of the texture of the button his finger had depressed. He didn’t hear the low bass of the shields as they were freely deactivated, allowing missiles long kept at bay to whisper through the fading dust. His eyes were focused forward, towards a screen portraying vessels that did not want to be seen, but he looked only because there was nothing else to look at. He was not thinking about the awe he had felt when the fleet had materialized before his small operation, nor the pit-wrenching horror when the battleships had commenced their bombardment. He wasn’t thinking of the crew that, when presented with two options: to run and hide, or to send a high-powered message and warn their distant home, chose to run. He wasn’t thinking of the cries, the pleas, the threats the crew had made when he had overruled them. He had thought of his wife and his children before, but they were no longer on his mind. He did not pity or champion himself, or wonder if the message would arrive too late, or if the information he had so meticulously selected for transmission would be enough to save his home.
Instead, his mind wandered to an old song he had heard when he was young, a slow, symphonic melody that had moved him to chills but whose name he could never identify. He wished he could have listened to it one last time.
