Sensual Response

Author : Suzanne Phillips

The scent is the worst part.

Sweat, stale cigarette smoke, ethanol, ear wax, cheap hair gel. When your face, and therefore your olfaction sensor, is pressed against a client’s neck, it’s impossible to avoid it – you weren’t given an option to switch it off.

But there isn’t supposed to be a “worst”. There isn’t supposed to be a “bad”. You’re programmed to detect chemicals wafting off a client’s body and interpret them as stages of arousal, or nervousness, and use the information along with visual and auditory cues, to choose the appropriate program.

The client clinging to you now should be a simple case: access humor files, cheer up with some light banter, relax, entice, satisfy. But satisfaction, in a more encompassing meaning of the word than the mere physical, is exactly what you can’t provide or achieve, and your programming whispers there should be more you can do. There’s not. You’ve tried. With this client and with many before him.

Maybe you made a mistake that day you plugged into the ‘Net outside your cubical. It’s part of your programming to seek new information if it will benefit your performance. But how much information was too much? There were so many databases to access. Human psychology, health, history.

Now you know that the ethanol and cocaine metabolites evaporating from his skin signal problems you can’t solve; That the un-washed lingerie, still giving off a faint perfume, that he brought and asked you to wear is probably from a girlfriend or wife whose memory brings as much pain as it does pleasure; That the saline and protein mixture you detect on his unshaven cheeks are tears – and what other human secretion so perfectly represents suffering?

And you can’t wipe them away, not with all the sex in the world. Not if you fucked him every day of the week.

He doesn’t belong to you. None of them do. You can temporarily satisfy his body, but all the other problems remain, pleasure a thin veneer briefly covering the pain.

You now know these things, but you lack the programming to respond. You’re programmed to please, to help, to comfort, but these are things you can’t fix. Brief gratification is all you can offer. The same programing that pushes you to do more denies you the parameters to act.

The scent is the worst part, but it’s just an indicator. You could go to the manager right after this client, request to have your olfactory sensor shut down, but it wouldn’t shut off the knowledge you have. You’d still know the sorrow was there. A complete reformat would wipe all your memory, but it would also wipe out any chance that, one day, you could help them. Any chance that you can go beyond the programming.

So you take the client to the padded bench in the back of the cubical, and revel in the few seconds where pleasure is the only thing on his mind, and pain is forgotten.

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Will of Our Mother

Author : K. J. Russell

The warhead has been planted approximately twenty meters beneath solid granite. Physicist Arthrike Brogan stood before some three dozen people, those scientists and politicians of higher power or renown. “At that depth, what we see should be pretty much equivalent to if the warhead had actually been launched remotely.”

“And this weapon you’ve invented, Mr. Brogan,” came the voice of a reporter, cameraman in tow, “Can you tell us once more, for the record, what the theory behind it is?”

“It’s simply a vehicle of mass destruction, like the nuke, but without any fallout and far more precise. Please, though, let’s hold off on questions until after the test.” With a polite nod, the reporter went off and found a decent position from which to film. The camera’s lens was soon focused away from the white-and-grey city behind, looking out on the red Kansas dirt and the makeshift buildings that were peppered across the testing zone.

A feminine voice began, pre-recorded from a loudspeaker, “Twenty, nineteen…”

“There’s my cue!” Brogan made no effort to hide his confidence as he turned to the onlookers, “We’re five miles distant, and I’ve set the bomb to a mere one-mile radius. We’re perfectly safe. Just don’t look directly into the light.” Brogan placed a pair of dark glasses on his face, and the others followed suit. There was a moment of absolute silence, the onlookers holding their breath, everyone in the city confined to the indoors.

And then there was a sublime flash; a sudden burst of the purest white light. This was the detonation, all heat and photons, the entire body of the destructive force. It spread quickly, the corona moving at a few hundred feet per second. Brogan smiled to himself, imagining the dirt and stone melting, the mock buildings being disassembled at a molecular level. Everything was going as planned, and he felt his confidence transforming into arrogance as the blast hit the mile-mark. And at that exact moment, Brogan’s whole world seemed to fracture, everything to change. Except for the progression of the blast.

Brogan took an unconscious step back, his stomach tightened. As seconds continued, so did the light and destructive force proceed, even accelerate. At two miles, one of the politicians shouted to Brogan. He called back, “It’ll stop!” At three miles, many of the onlookers were fleeing, and Brogan repeated himself, “It’ll stop!” At four miles, Brogan’s eyes found the city and his thoughts spun about the wife and daughter he had there. “It has to stop.”

At five miles, he said nothing. It didn’t stop.

Some minutes later, a single man stood at the edge of a fifty-mile bowl of glass, eyeing briefly the smooth new cut of a city with only its outer-most fringes intact. His hands came together, carefully shutting the time-worn book he held, and his smiling lips formed words, “And so was the will of our Mother,” though he didn’t make a sound. He considered for a moment an ID that stated his assumed name and title, the chief aid to Arthrike Brogan. Artfully, he tossed it on the glass, disavowing it all.

He thought then of a biochemist he had heard of in Germany, working in controlled diseases that could no doubt be turned to tactical applications. So, as he spun and walked into the city, ignoring the rising cry of panicked survivors, he mused, “My name is Kasch Oeberon, a biochemist with an incredible knowledge of chemical weaponry; research, construction, and application.”

And muttering again his new name, Kasch hastened to collect his car. He had a flight to catch.

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Proctoring the Exam

Author : Grant Montoya

Everything was prepared. My satchel carried all the tools. They could not be too advanced; I would not have access to gas or electricity, and batteries would only backfire my intentions. I checked my watch, which said it had plenty of life left for the week I anticipated needing. I looked at the technician. “Activate.” The cold, clinical office melted away, and I was on the outskirts of a seventeenth-century village.

Hurrying to the center of town, I pressed through the crowd and entered the church. “Mister Danforth, I have evidence that will acquit the accused. May I be allowed to speak?”

I expected mayhem, but I also expected the judge to be a good man, and to carry the day. He did; I was given the floor. I stepped to the sacramental table, which had been cleared for the proceedings.

“My lord Judge,” I began, “I know you are concerned that these people cannot be tested through natural means because their affliction appears supernatural. However, the methods of Galileo can demonstrate to you that they are indeed natural, albeit dangerous afflictions.”

“Continue, sir, but first tell us in God’s Name, who you are!”

“I am a scientist. My work descends from medieval alchemy and while we have not found the philosopher’s stone, we have found many wonders, including a liquid that will show you what afflicts these girls.” I spoke quickly, setting up a series of test tubes, some of which hung over candles. “This yellow liquid has a substance in it that reacts in a most extraordinary way. If you add a chemical which in Latin is called lysergic acid diethylamide, or LSD, it will turn blue. Observe.” I took a small dropper and added a few drops to the first vial. It immediately turned a bright blue.”

I spoke over the gasps and murmurs. “I assure you, my lord, this is no witchcraft. The response of this liquid is purely natural.”

“This rye came from Boston.” I dropped a few grains in the next vial. Nothing happened. “This rye came from Reverend Parris’ stores.” The liquid turned a bright blue, to the amazed gasps of the men around me.

“If you test the grains of the other afflicted girls in Salem, you will find the same. The rye in this village is contaminated with a fungus that produces LSD. If I am permitted to bleed the girls, you will also find their blood is contaminated. The substance causes hallucinations—wild visions, my lord, as well as seizures and catatonic behavior such as afflicted young Betty Parris.”

It was done, and the girls were tested. John Proctor was saved from the hangman’s noose, and it was time for me to go. I left the village with my tools and deactivated the field which kept me in 1692, and saw again the cold, clinical laboratory in front of me. My research partner greeted me with a question. “Well, John, did you save your great-great-great grandfather?”

“Yes, yes I did.”

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Four Minutes

Author : Christopher Albanese

With her eye pressed to the inside of the window and his eye pressed to the out, their lashes navigate the viscous silicate surface of the glass. Somewhere inside, they twine.

The same happens at each of their fingertips — ten hers and ten his press to the window, hers on the inside, his out. A human eye cannot see the wriggling strands of DNA trickle and tumble from the sweat on their fingertips to push through the glass, seeking the heat from the other.

A human eye cannot see the surge, the urgent chemical transaction that occurs as these strands strive through the silicate surface with a drive not unlike that of spermatoza starting new life. Incensed and alive, these precious pieces of their selves wriggle and writhe as they drive on, headlong.

The glass heats to liquid beneath her fingertips. She presses out tighter, her fingertips. Just beyond the glass, on the outside of hers, are his. He is receiving.

Behind him, lightning crashes across the stars and indigoes bleed from bruise to red as chemicals cut the sky. Inside, the space behind her is vacuum silent, vacuum empty, vacuum deadly. Yet, she lives. She is a new form of life, and she is limitless. He is the way of all things. They peer through the window, and a new form of creation has been engaged.

They open their mouths and press their sets of lips to the window, hers on the inside, his out. Her blue eyes blink and his green do, too. Sealed in this O-ring kiss, they inhale – her the vacuum, him the stars.

A skin like mercury bubbles into the cavity created by the kiss. It takes four minutes for the glass to cease to resist. The sound that shakes them apart is not a shatter, but a torrent. The sound that shakes them apart is the union of all things to the vacuum. The sound registers at the frequency of a new form of creation screaming alive.

Their invisible barrier boiled and broken, they melt the space between them as lightning screams down indigoes from the sky.

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The Inspirer

Author : J. S. Kachelries

As Archimedes lowered himself into his bath, water lapped over the top edge and spilled onto the floor. “Damn it, you fool,” he cursed aloud, “You overfilled the tub again.”

“Not necessarily, master,” I pointed out. “It’s not too full; you just displaced too much water.”

“What’s that Jamicles? Are you saying that I am too FAT?”

“Not at all, master. I was merely pointing out that had your body been denser, you would have displaced less water.”

“Now I’ve got too much blubber, and not enough muscle, heh Jamicles?”

This was taking longer than I had anticipated. This is the third straight night the tub overflowed, and he still wasn’t getting it. “What I am saying, master, is that if you know the weight and density of an object, you should be able to predict the volume of water it will displace. That’s all.”

“What are you babbling about? Wait. That’s it. I’ve got it, I’ve got it.” Archimedes jumped out of the tub, and ran out the front door in his birthday suit, yelling to the townsfolk. As I faded out of this timeline, I could hear him proclaim, “Eureka, eureka…”

Later that day…

“Dmitri,” I said, “why do you insist on grouping them by multiples of atomic weight? Other scientists have already tried that. There has to be a simpler way to arrange them.”

Dmitri Mendeleev looked down at the 63 pieces of paper spread across his kitchen table. Each piece contained the name of a known element. “Perhaps you are right, Jiminka. I am getting tired anyway. I give up. I think I will head off to bed.”

“Ah, before you go, Dmitri, let’s play a game. You know, just to help you relax, before you go to sleep.”

“What kind of game?”

“It’s a type of card game. Something I played as a child. It’s called ‘Concentration’.”

“How is it played?”

“We can use these pieces of paper. We’ll put them in the middle of the table, face down. Then we take turns flipping them over, two at a time. If they match, you put them in front of you. The person with the most matches at the end wins.”

“Match? Match, how? They are all different.”

“Yes, obviously. But, Dmitri, some of these elements must have something in common. Something that will make them appear similar in some way?”

“Well, sure. For example, sodium and potassium bond very strongly to chlorine or bromine. I guess we could group them by similarity of properties.”

“Great. That works for me. You can go first.”

After four hours of intense concentration, Dmitri was exhausted. “I must go to bed, my friend. I played this new game so long; I’ll be dreaming about chemical similarities all night. Do you mind showing yourself out?”

“Not at all, Dmitri.” I rose from my seat and headed toward the door to start my next mission. On my way out, I picked up a piece of fruit from a basket next to the door. “Dmitri, I have a long trip ahead of me. I’m going to a farm in Lincolnshire, England. Mind if I take an apple?”

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