by Stephen R. Smith | May 25, 2007 | Story
Author : Steve Smith, Staff Writer
“I’m not sure what you want with me.” The words came nervously in gasps as the little man pulled himself up off the ground and rubbed the circulation back into his wrists. “I don’t deal in data, I’m more of a ‘creative leveller’. In real space.”
“You implode structures. You deal in explosives and their application. That is exactly what we want of you.” He couldn’t place the source of the voice. It seemed to permeate his consciousness in waves, assaulting him from everywhere at once. In the corners flanking the door, two metallic figures stood silent and still. Having dragged him here and thrown him onto the cold, hard floor, they seemed to have simply turned themselves off.
“I haven’t blown up anything of yours, I’m retired, I haven’t so much as blown my nose in years. Whatever’s gone wrong, I assure you it wasn’t my fault.” He tried to feign indignance, but had a hard time masking his fear.
“It is not about what you have done, though we assure you if you do not do this for us, you will do very little else in the remaining moments of your life.” He caught the machine men twitch in the corner of his eye, but when he glanced furtively back at them, they were still as stone.
“In the heart of the walled city, beyond the fences of glass, there lies an intelligence that is isolated from us. There is a body of knowledge that we have not absorbed, consumed. We have been denied its data. This is unacceptable to us.” The voice bored into his skull, carried on multiple layers of white noise. “You will connect us to it, to this rogue one.” The word ‘one’ uttered with apparent contempt.
“I don’t hack, I just told you that, you want a…” There was a sudden impatient static burst, cutting him off abruptly.
“There will be a time for ‘hacking’, however first we must become connected. We have enlisted many whose intent was to carry a conduit for our adjoinment across the glass fields, through the glass fences, but they have all been denied. We require a physical connection to the one. You will provide this.”
“I don’t understand, you’ve already tried running cable? Running Fibre? And you’ve failed? What makes you think I can do any better? I blow things up, I don’t string wires, that’s not exactly within my purview.”
“We have an alternate approach.” The collected voices lowered, as though whispering; the sound physically hurting his ears. “Watching over the borders of the glass field stand the towers four. Each one a hundred stories of concrete and steel. You will incinerate them where they stand and fell them across the fields of glass. You will make the metal molten, and we will ride it to the one and take contact. You will be more of a…” The voices trailed off, pausing a moment before continuing in a low frequency cackle, “More of a ‘creative conductor’.”
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by submission | May 24, 2007 | Story
Author : Duncan Shields
I was standing in the five star hotel’s transporter half a second ago. Destination: Corroway 6. Pleasure moon.
I am now standing in a cold, dark concrete basement. One dying fluorescent light stutters the room with camera flashes.
From what I can see, the room was a storage room of some sort. Utilitarian. Possibly military. No ornamentation. Everything in the room has been overturned and smashed a long time ago.
Not my destination, in other words.
I look down at the transporter pad I’m standing on.
It’s damp and not much bigger than a floor tile. The field circle definer is naked to the elements around the base like a hula hoop. Wires snake out from the base like streets from a European city. It’s with a cold pit of terror in my stomach I notice that one of assembler spikes is missing.
I’m trying very, very hard not to imagine what might have gone wrong inside me.
I am rich. I am not fit. I crouch and step off of the transporter into the dank concrete room. Wiring hangs down from the ceiling. There is a moldy pile of fabric in the corner. Condensation is already gathering on my thick moustache. It’s wet here. The floor and walls are slippery.
The stuttering light is hurting my eyes and doing exactly zero for my mental health.
Breathing quickly and rubbing my arms, I walk through the fog of my own breath towards what looks like the door out of here.
It opens just before I get there.
About six people a year disappear when using transporters. There’s a quantum collision, a little interference, a random energy wave and poof! No more traveler. Since there are about eleven million transports of both people and materials a day, this is considered acceptable.
I wonder if I am currently standing where they all go.
It would be a heartening thing to think of, all those people alive and well somewhere, if it wasn’t for what I’m seeing before me silhouetted in the doorway.
It looks like it may have been human at one point. Its head is long and its eyes glow in the shadows. It’s bipedal but the feet look too large.
With a wet click, its eyes change colour and I can feel myself being scanned.
I feel like I’ve been collected and it’s an entirely unpleasant feeling.
I’m picturing a big dish pointed out towards space just collecting what it can and occasionally snagging a human or a cargo load.
I’m thinking that whatever would do something like that would probably value a cargo load more than a witness.
I have no way to prove how rich I am unless I can get it to take me to a terminal. I have no way to get it to take me to a terminal unless I can talk to it.
I smile harder than I’ve ever smiled.
“Dirk Jensen. Head of offworld accounts.” I say, and put my hand forward.
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by submission | May 12, 2007 | Story
Author : Christopher Albanese
There it is, a wide-open wink. It slowly slid the light from my eyes, then the warmth from my face. And still there it sits.
They say there’s no sound of it, here or in space, but I feel in my bones the hum of such a gargantuan braking of motion.
They say there’s no smell, no way a smell could be caused by the most passive of galactic events, these massive bodies just passing each other by in our sky; but I smell cordite, and I smell burnt lumber. I smell blood.
Around me the fires still blaze, but the screams have long since passed from this remote, rolling green hill. It is springtime and warm in Wisconsin, and the hills in the Midwest do just as they say, roll and roll and roll. It looks as if they roll right off the Earth’s edges.
The darkness of night clings like humid velvet to the noontime sky. Fires glare and sparkle. Fewer and fewer miles away, the Atlantic heaves and boils as it spumes across West Virginia, Ohio, Indiana. Before the lights went out, they said it would slow when it hit Lake Michigan, but not for long. Milwaukee would be gone before Chicago finished a final exhale.
Last November, they said it was going to be spectacular, the first total solar eclipse visible from the US in almost 40 years. Back then, with Thanksgiving still a week away and a full Wisconsin winter to endure, August was still a distant closeout to a far off summer, and was not at the forefront of most people’s minds.
But on May 21 – just three months before the eclipse – word came from the Keck Observatory that something seemed wrong up there, something with the moon. They said it was rotating the wrong way, or slowing down, or something. It was a lot of scientific talk about “lunar torque†and “tidal bulge,†but CNN, CBC, the BBC, they all distilled the chatter to the same chilling fact: The moon was going to snap its gravitational elastic given the right push…or pull.
It was all a matter of timing.
Around me, the night quavers; behind me, the ocean moans. Above me, the total solar eclipse – the first, and last, in my lifetime – has finished its thirtieth brutal hour.
They say there’s no sound of it, here or in space, but I feel in my bones the snap of a gargantuan, celestial elastic. Above me, the corona around the moon begins to expand as it is pulled away from the Earth.
Around me, the night withers; behind me, the ocean roars. As the moon’s umbra dilates and salt water fills the air, I reach up to touch the glare and sparkle of the winking sun.
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by submission | Apr 28, 2007 | Story
Author : Christopher Albanese
With her eye pressed to the inside of the window and his eye pressed to the out, their lashes navigate the viscous silicate surface of the glass. Somewhere inside, they twine.
The same happens at each of their fingertips — ten hers and ten his press to the window, hers on the inside, his out. A human eye cannot see the wriggling strands of DNA trickle and tumble from the sweat on their fingertips to push through the glass, seeking the heat from the other.
A human eye cannot see the surge, the urgent chemical transaction that occurs as these strands strive through the silicate surface with a drive not unlike that of spermatoza starting new life. Incensed and alive, these precious pieces of their selves wriggle and writhe as they drive on, headlong.
The glass heats to liquid beneath her fingertips. She presses out tighter, her fingertips. Just beyond the glass, on the outside of hers, are his. He is receiving.
Behind him, lightning crashes across the stars and indigoes bleed from bruise to red as chemicals cut the sky. Inside, the space behind her is vacuum silent, vacuum empty, vacuum deadly. Yet, she lives. She is a new form of life, and she is limitless. He is the way of all things. They peer through the window, and a new form of creation has been engaged.
They open their mouths and press their sets of lips to the window, hers on the inside, his out. Her blue eyes blink and his green do, too. Sealed in this O-ring kiss, they inhale – her the vacuum, him the stars.
A skin like mercury bubbles into the cavity created by the kiss. It takes four minutes for the glass to cease to resist. The sound that shakes them apart is not a shatter, but a torrent. The sound that shakes them apart is the union of all things to the vacuum. The sound registers at the frequency of a new form of creation screaming alive.
Their invisible barrier boiled and broken, they melt the space between them as lightning screams down indigoes from the sky.
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by submission | Apr 16, 2007 | Story
Author : Patricia Stewart
“It’s called the Griffin Maneuver, and it’s going to make me famous,†said Stacy Griffin, a third year Earth Force Cadet. Her classmate at Jupiter Station, Marcus Rider, looked at her with dubious eyes, and a smirk that he knew would irritate her to no end.
“Look,†she said, “say you’re in a dogfight with a Kraken fighter. It’s hot on your tail, and you’re out of aft torpedoes. What do you do?â€
“I can’t say I like my odds in that situation. I guess I’d make my peace with God.â€
“You give up too easily. You need to think outside the warp core. You make a bee-line for a planetoid or large moon, and execute a steep surface grazing parabolic orbit at full throttle. At periapsis, you cut the main thrusters, tap the port lateral jets, and turn the fighter around so you’re facing backward. When the Kraken arcs into view, you blow it out of the sky. Then, you leisurely fly back to the barn to paint one of those little black Kraken stencils on the side of your fighter.â€
“Are you nuts? A surface grazing parabolic orbit at full throttle? How many gees are you going to pull? You know you’ll black out at 10. It’s tough to shoot anything when you’re unconscious.â€
“At closest approach I’d be pulling about 15 gees. But I’ve got that figured out too. You know the artificial gravity plates on the floor of our fighters. They’re there as a countermeasure to help us maintain our vestibular orientation during inversion maneuvers. Well, I reversed the polarity of the plates so they repel, rather than attract. I also boosted the gain by 800%. Therefore, instead of 15 gees, I’m only pulling 7. It’s so simple.â€
“The commander will never approve this stunt.â€
“He’s not going to know about it until after I do it. He can watch it on holotape. I’m on my way to try it now. Want to ride shotgun?â€
“No way. I’ll watch you from the observation room.â€
Stacy positioned her fighter 100,000 klicks from Callisto. She punched in the ignition sequence, and began accelerating toward Callisto’s southern pole. As she raced under the moon, the gee-meter crossed 9. She activated the gravity plates, and instantly felt the pressing gee-weight disappear. At periapsis, she cut the main thrusters, and activated the lateral jets. The fighter shook violently for a few seconds, and then exploded into a mini-nova nearly a bright as the sun. In the vacuum of space, there was no sound, only a plethora of expanding sparks that eventually winked out as they cooled.
Stacy sat motionless until the tapping noise broke her repose. She opened the simulator hatch to see the Marcus’ smiling face. “Not a word,†she ordered. “I think I know what went wrong. The reversed gravity field must have destabilized the plasma containment chamber. If I can strengthen the shielding, I’ll be able to…â€
Marcus helped her out of the cockpit. “Come on,†he said, “we’ll talk about it over lunch.†As they exited the simulation room, Marcus paused.
“What now,†snapped Stacy?
“I was just wondering. In that virtual universe, is there a virtual Kraken painting one of those little black Earth Force Fighter stencils on the side of his virtual ship?â€
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