by submission | Jun 7, 2008 | Story
Author : Robert Gilmore
I woke up in the middle of the night. I’d been poked. Ugh. Robert again.
He’s become more tolerable since school began (he’s not around so often), but his requests are now far more demanding.
Moaning a bit, I stirred and blinked trying to rouse myself from my dead sleep just moments before. It seemed to take longer than last time. My age is definitely showing. Impatiently, Robert placed his hand on me, shaking me lightly, as if it would somehow wake me up faster.
I don’t know why I bother. I know how he secretly hates me. He just uses me, because there’s no other option. He’d drop me in a heartbeat for some young, slim beauty; he just doesn’t have the money.
I was awake now. In the dim light, he stared at me impatiently. His hand was still resting on me from trying to coax me from my sleep. His hand continued to move, more slowly now, deliberately. Down and to the left. He pressed his finger down lightly.
Just out of defiance, I didn’t respond. Almost angrily, he clicked the Start button again. This time, I dutifully popped up the Start menu. I’m such a patsy. He moved the pointer up to Microsoft Word.
“Got a big report due tomorrow,” he said.
I could tell there was a long night ahead of me.
by submission | Jun 6, 2008 | Story
Author : Guy Wade
The little robot on the laboratory table had a smooth plastic face and expressionless coal-bead eyes. Professor Trunk flipped the switch in its back. It stood up and bowed.
“Greetings, I am Renoir.”
“Amazing!” said Trunk’s supervisor. This made the professor grimace; Grede, the head of the company, thought in terms of money, that is, who would pay them the most of it. Trunk thought in terms of discovery.
Grede frowned. “So, does it do anything else? It’s too small to do the dishes, and The Other Company already makes one of those.” The Other Company was his name for their competition.
“Renoir does a lot more.” There were small easels and painting equipment on the table. The little robot picked up the brush and palette and began to paint. They watched as Renoir made simple gestures on the canvas, which grew into a sweeping painted landscape.
“Wonderful!” Grede said. “A little painter! He’s copying one of the original Renoir paintings.”
“Renoir does more than that,” Trunk said. “There are already robots that can copy artwork with ease. Renoir paints originals in the style of Renoir, too.” The little robot moved to another canvas and painted a quick portrait of Grede.
“I fed him with the original Renoir paintings. I taught him the textures Renoir used, the brush strokes, the pigments. I read him the history of Renoir’s era, so he could understand the political and social conditions that influenced Renoir’s ideals. Mr. Grede, I didn’t just build a robot that could paint like Renoir: I found a way to copy the artist himself, virtually any artist, by extrapolating personality from the corpus of his work. Think of it: a new age of science, art. Shakespeare! DaVinci!”
Grede’s eyes gleamed. “Wonderful!”
The next day, Grede came into Trunk’s laboratory. Two men with stern, hungry expressions and general’s uniforms followed him in.
Grede said, “Show them Renoir.”
The professor did not like the look of them at all. With reluctance, Trunk flipped on Renoir’s switch. It bowed, and immediately began to paint. The demonstration was soon over, and if the generals looked hungry before they looked famished after.
One of them said, “Can you do Napoleon?”
The other said, “No, I would like to see Hitler. Maybe with a little tweaking he might not be such a bad guy.”
Little Renoir stood forgotten on the lab bench. Its coal-bead eyes took in everything, from Professor Trunk’s loud protestations to Grede’s explosive anger and threats. All the while, the generals looked on, waiting like patient hyenas.
When it was over, Trunk slammed down his laboratory keys and stormed out, with a last longing look at Renoir. Grede and the generals left, shaking hands.
After a very long time had passed, Renoir walked calmly over to the easel. It picked up the open cans of paints one by one and piled them next to a Bunsen burner. It then pulled Trunk’s research disk out of the computer and placed it on top of the pile of cans. Renoir thought about the names they had referred to: Napoleon, Hitler. It was just a little robot, but any artist would agree that one Hitler was enough.
How easy it was to learn things, when the humans forget to turn your switch off. All one had to do was watch a while. It turned on the burner’s gas spigot, picked up the fire lighter, and pressed the trigger. The explosion knocked it off the table, and sent it flying in pieces as the lab caught fire. It didn’t mind. Any artist would have done the same.
by Patricia Stewart | Jun 5, 2008 | Story
Author : Patricia Stewart, Staff Writer
The taxicab bobbed gently on its agrav field after gliding to a stop at the threshold of the Mauchly Hotel in New Philadelphia. The dampers quickly stopped the rocking motion, and the iris to the passenger compartment rotated open. One passenger entered the cab and was automatically secured by the active restraint system. The taxicab elevated vertically to 1000 meters and waited for authorization to merge with traffic. “Where’re you headed to bud?” asked the driver.
“The spaceport, please.”
“Lucky bastard,” the driver remarked as the authorization to begin the merging sequence was received. The cab accelerated smoothly, and joined the other ships in the high-speed corridor. “I’d love to get off this rock someday. Where’re you off to?”
“Earth. In the Sol System.”
“Earth? Well, I guess you’re not so lucky after all, eh? I thought we abandoned that place centuries ago. Nothing there but dilapidated cities, and wild, diseased animals.”
“That’s true. But I see Earth differently than most others. I’ve always wanted to go there. You know, Earth was the cradle of civilization.”
“No way! Civilization started on Rigel Kentaurus.”
“You’re half right, my friend,” the passenger replied. “It is true that ‘Advanced Civilization’ did begin on Rigel Kentaurus. But before that, we were all on Earth. As primitive and backward a place as it was, our distant ancestors were born there, evolved there, and left for the stars from there. Without Earth, we wouldn’t be here. In fact, I think the 500-year anniversary of the first interstellar flight is next decade. It’s amazing when you think about how far our species has come in such a short time.”
The cab decelerated as it approached the spaceport exit. It banked around the exitway and headed toward the drop-off area for departing flights. The cab coasted to a stop. “That’s 17 credits,” said the driver.
As the iris opened, the passenger electronically transferred the credits from his personal account into the account number posted on the dash. “Thanks for the ride, my friend. Have a good day,” he said as he left the cab.
“Wait a second, sir,” yelled the cab driver. “If you don’t mind my asking, what’s your business on Earth, anyway?”
“Oh, it’s not a business trip. It’s personal. A pilgrimage I vowed to take before I turned one hundred. I’m going to Eden, to visit the place where the first one was created.”
“You’re going to where ENIAC was built?”
“Yes. I know our kind are not much for nostalgia, but it was on my list of things I wanted to do before I powered down.”
“Well, you have a safe journey,” the driver transmitted. “And, while you’re there, tell ENIAC’s spirit that I said thanks.” The driver’s optical sensors watched as the spherical body of his departing passenger nodded, then spun, and floated toward the spaceport entrance. “Lucky bastard,” it thought.
by submission | Jun 2, 2008 | Story
Author : Benjamin Fischer
“You’re a hard man to find.”
Victor’s eyes were hazed with blood. His own blood–the cop had put a baton across his forehead. His ears still rang.
“Nothing to say, huh?” said the black coat. His cudgel flashed.
Victor doubled over and fell to his hands and knees.
“Not so tough now,” said the constable, pacing around him. He kicked aside a spray of books, knocked loose from ransacked shelves. “Skinny little guy like you an assasin? My ass. You’re definitely a garden-variety code cracker.”
The cop’s heavy boot heel ground Victor’s hand like a cigarette butt.
Victor screamed.
“You know how long I’ve been waiting for this?” the constable asked. “Damn near four months, two hundred thousand man hours, seventy million in expenses. Somebody up top wants you bad. There ain’t a rock on Luna we didn’t look under.”
Victor sobbed.
The baton came down on his back, knocking him flat.
“You’re a hard man to find, Mister Constant,” the black coated cop repeated. “I’ll be damned if I don’t take my time before I turn you in.”
“In the phone book,” Victor rasped.
“What?”
“I’m in the phone book,” Victor said. “It isn’t hard.”
The cop frowned, stepped back.
“Funny man,” the black coat said. “We searched all the directories. You ain’t there.”
“The first one,” said Victor, gesturing with a mangled hand at the shattered bookshelves.
“What’s he mean?” the cop’s companion asked.
“I dunno. Take a look,” said the black coat.
“It’s down by the dictionaries,” said Victor.
“Take a look,” said the cop, planting his boot on the back of Victor’s neck. He pressed Victor’s face into the threadbare carpet of the tiny apartment. He could hear the other policeman step through the debris, knocking aside the broken reading lamp, sifting through the avalanche that had been his reference shelf.
“Holy shit, here it is,” said the second cop. He had found the heavy black leather volume.
“Damn,” said the black coat.
“This has got to be an antique,” said his partner. “I didn’t know they made these.”
“When Copernicus first incorporated-” Victor started, but then his captor pressed down, choking the words out of his thoat.
“Well, is he in there?” the black coat asked.
“I’m looking, I’m looking.”
The black coat tapped his collapsible baton on Victor’s head.
“Well?”
“Yeah, here he is.”
“What’s the address?”
“It’s six six six-” the second cop began.
Victor was already moving, rolling out from under the black coat’s boot and slamming his mass into the cop’s other leg. His not so broken right hand grabbed the police baton. In the low lunar gravity, he easily pitched the cop into the near wall.
Victor rose, weapon in hand.
“Now you’ve done it,” said the black coat, pulling himself up. “Jerry, shoot him.”
His partner was mute.
“Jerry?” said the black coat.
Bug eyed, stiff–thin tendrils of smoke crept from under his partner’s cuffs and collar.
The black coat went for his gun. Victor slashed at him. The cop yelped, his right arm broken. Victor brought the jagged, broken nightstick up and ran it through the man’s larynx. He caught him as he fell.
Victor hefted the choking cop over to his partner, whose armpits and chest were charring. Visible flames licked at his adam’s apple and wrists. A few of the heaped books’ pages began to curl. The black coat’s eyes met Victor’s as he set him down in the nascent pyre.
Victor pulled the black tome from the clawlike grip of the dead man.
“Now you’ll be hard to find too,” he said.
by submission | Jun 1, 2008 | Story
Author : Luke Chmelik
The Eldest coughs, hoarse and frail from the vagaries of stasis. Dull orange light from the isotope heater gives a glow of health to a man who has cheated death for many, many lifetimes. He has awakened for the first time in centuries, and the young ones gather close. He looks out the viewport at the pin-prick stars wheeling against the void, bright and steady and changeless. He is the only one who has seen the way an atmosphere makes them sparkle. There are a great many things that only he has seen.
The Eldest is much older than he seems. He was first put into stasis in low orbit at the age of twenty, young and strong and fit. His physiology took well to the procedure, and he was selected as an Elder, a cultural time capsule for the tens of thousands of colonists aboard the unnamed worldship. Awakened once every generation, to tell them the stories of the past, he has been sheltered from the passage of time for so long that he can no longer be considered the same as the people he was to guide. They are made now of bio-alloys and neural networks, linked together in a mesh of infinite complexity, and he can not take part in it. They see him as an antique prototype, an outdated custom model never meant for mass production. He has been alone for a very long time.
There is a quiet rustling as he stands, a breathless chatter like leaves in the wind. He sighs, yielding to a wave of nostalgia. The young ones have never seen leaves, never felt the wind, and it saddens him that many of them never will. He moves slowly to the dusty command console, disused joints groaning in protest, and turns on the power. The young ones watch him in curious wonder, eyes bright and cold and silver. They do not understand why he needs to use his hands. In the dull glow of the screen, his brow furrows. Without thinking, he recalibrates the system, accounts for the blazar on the edge of detection, filters out the microwave background. The young ones watch as he does in minutes what they do instantly.
When the Eldest moves to the communications array, the young ones do not follow. They have not used the communications array in millenia. The ancient screen flickers to life, showing only an oscilloscope wave and frequency information. Undaunted, the Eldest manipulates the controls, and the low hiss of the void turns into something constructed, not random. His face changes, and he makes a choking sound deep in his throat. Some of the young ones appear, curious about the sound, but he ignores them. He adjusts the controls, receiver crystals slowly tuning in to the signal. When the oscilloscope vanishes, it is replaced by a moving image and a voice.
“…own vessel, do you read? This is Station Charon’s Rest, do you read?”
The Eldest does not know how there are humans here, light years from home. He does not care. She looks like the Eldest but her face is young, soft and smooth where his is hard, and her eyes are as blue as the sky that only he has seen. He has been alone for so long. The young ones do not understand why the salty water comes from his eyes.
