Twitch

Author : Christina Richard

More often than not, pretty girls do not get master’s degrees in neurorobotics. I am as ugly as your worst nightmare, but the bots I design have made grown men forget how to pronounce their own last names. And considering what happens to some of the bots I rent out, I’m goddamn glad I have thin, mousy hair and a crooked nose.

Take Dahlia for example, my most popular model. Her hair is chosen from the heads of only the most lovely slave girls, and her skin is a special rubber blend that feels almost human to the touch. Every Dahlia should have a gaze as empty as a wormhole, their sapphire-inlaid eyes luscious and vapid, but every now and then a few wires get knocked around and they do something interesting.

Yesterday was Valentine’s Day, the busiest day of the year for my company. One of my rental Dahlias came back this morning with half the rubber blend that was her face ripped away. Steel cheekbones underscored her eyes, and I noticed that her right iris was full of copper sockets from where the sapphires were shaken out. A dent in her temple made it look like she had been hit so hard that they loosened, spilling all over the carpet of someone’s bedroom rug. Dahlia’s red velvet gown hung off her in shreds. Amazingly, the white silk corset underneath was unharmed, still hugged her torso and breasts. Dahlia blinked vacantly, the sensor in her ruined eye glitching. She stared to my left.

“Hello mother,” she said. “My wires are loose.” Long lashes closed over her eyes, and stayed closed for a second too long. I wondered if there was a short circuit and cursed. The wiring would be no problem to repair, but the cosmetic damage would be costly.

Dahlia tilted her head when I swore. “Have I made you angry?” She said.

“No Dahlia. Lie down.”

Obediently, Dahlia hopped onto the metal table in the middle of the room and pulled the small lever below her clavicle. Both of her breasts released to either side of her torso, laying bare the wiring at Dahlia’s core. Sentimentalists keep the motherboard in the chest, where a human heart would be, but I find the stomach more efficient.

“Hold these for me,” I said, giving Dahlia a pair of pliers. I began to examine the internal damage. She had held up quite well, much better than the Venus model that came before her. I was impressed.

“You are just perfect, Dahlia,” I told her, smiling.

Dahlia’s face was very still as she stared at the ceiling tiles above her. I saw one of her eyebrows twitch, and stopped what I was doing; it’s rare for a bot to show involuntary movement, but in Dahlia’s damaged state it was no surprise.

“Will I be beautiful again?” She asked. “Can you fix me?”

“Yes, I can fix you. It’ll take time, but I promise you’ll be beautiful.”

Something in her copper iris looked almost human as she took the pliers in her hand and plunged them into the wires surrounding her motherboard. A shock pulsed through me and I was thrown back as Dahlia fried, the rubber blend bubbling into the wiring. Dumbfounded and bleeding, I peered over the side of the table to look at her. The eyebrow on her mangled, melted face was still frozen in that involuntary little twitch.

 

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Before Ruin

Author : Cruz Andronico Fernandez

People were getting sick everyday. Scott could care less. It was just something talked about on the television. So when he fell off his bike and tore up his arm he was only thinking about when he could get back on and ride again.

The day after the accident Scott’s arm hurt most of the day. His bones felt like they were grinding together. He thought he could hear them making little snapping sounds. It was weird he thought. The swelling was going down by the minute. The color was returning to normal. But it hurt! The pain reached a crescendo and he heard a pop. It wasn’t in his mind. He heard his bone pop.

It was the sound of it popping back into place. His arm was better. He could move it again. Scott didn’t know what they had given him at the hospital but it sure as hell worked. His arm had healed itself within a day of his accident.

Scott threw himself on the floor and did ten push ups. No pain. He did twenty. He did another thirty. His arm was better. Better than before. Then the pain in his head began.

It happened fast. Sharp pain shot from his eyes to the base of his skull. He threw up cold pizza. Sweat poured from his body. His muscles felt like they were being ripped from his bones.

911 was experiencing a high volume of calls. It didn’t matter. He crawled into bed. The light hurt his eyes so he left the lights off. If his television had been on he would have seen that this was happening all over the world. He would have known that people were dying. He would have known what happened after they died.

Scott closed his eyes and dreamt. His dreams were wild. He was in a wasteland. Cities buried in sand. He became a bird and flew to a half buried power line. Then he melted into the power line and was pure energy. He coursed through the line into the wasted city. He found himself in dead appliances. He emerged onto television screens and computer monitors. His eyes became street cameras. His ears became discarded and dead cell phones. His voice radios and mp3 players. He screamed for someone to answer him. No one did. He was alone.

For a time he waited silently. Breathing in the desert air. He was a ruined city. He was a world without people. He was the last thought of a dead civilization. Rain began to fall and each drop was his tear. Then he got angry and he was lightning. Then he was still and nothing.

Scott’s heart stopped at nine o’clock at night. His apartment was dark. It was still. In the streets fires were burning. Around the world people were dying just like Scott. There was panic. There was fear. Eventually there would be nothing left.

At ten o’clock that night the lights in Scott’s apartment came on. His television turned on. His mp3 player started playing. His blender came to life. Every electronic device became active. At ten o’ one Scott’s eyes opened.

 

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Little Sarah's Sixth

Author : Thomas Desrochers

The crowd is fast on the heels of the gate guards. Evacuation sirens are blaring, deafening. Over everything the massive ship looms, engines warming up. Everybody is running, but from what, or why, nobody can say. They’ve been trained to for years. That’s all they know.

In front of them a guard turns and fires a single round.

A man looks down at his gut. He’s been shot, he realizes. He could live with enough time and the right care, but there is no time and right now nobody cares.

‘Daddy,’ the little girl says, ‘you’re bleeding.’

‘I know.’ He looks at the young guard, still holding the pistol in shaking hands, unsure of what he has done. On either side the crowd surges forward. There are two more gunshots, a shout. It’s over quickly.

The man picks his little girl from between the legs of the adults, trying not to scream from the effort and the pain. ‘Come on, honey,’ he tells her. ‘Close your eyes.’

The people surge over the body of the guard and the man who killed him, trampling their bones and blood and flesh back into the dust.

The man staggers forward, every step measured in blood and shortness of breath.

Around him the people scream and scream and scream. They’re about to be left behind and they know it. Everybody is climbing over one another in a bid to get forward even a little bit. Many are crushed beneath dirty feet. They leave the man alone, however. He is large, a steel worker covered in scars and plates, augmented and able to easily crush any one of them.

But he’s dying. He looks down again. His pants and shirt are soaked in blood, more blood than it should be possible to lose. He looks forward, looks up. The boarding ramp is only fifty feet away, cordoned off by strong men with large guns, fighting for their lives against the mob. The soldiers begin backing up. Time has run out.

So the man moves. One arm holds his child while the other pushes bodies away. To him they’re nothing. He moves onward, inexorable.

He’s forty feet away.

Thirty.

The crowd begins to run: Ignition is coming. One of the soldiers notices him, raises his gun, fires.

Twenty.

Ten.

His chest burns, the body he is shielding his daughter with is sputtering blood, bone, and oil. The ramp begins to rise.

The man collapses half on it, his little Sarah spilling from his arms onto the metal. Everybody is gone away now, and the soldiers are simply watching.

‘Daddy,’ she is crying. ‘Daddy. Get up. Please. You have to get up. Please get up.’

The soldiers look anywhere but before them.

‘Love,’ he whispers. He needs to say more, but his time is up. One broken hand gives Sarah’s arm a squeeze. Then the ramp has risen too far and his legs are too weak. He falls to the ground like a bag of cement mix.

Sarah is looking over the edge now, down at him. ‘Daddy,’ she screams. ‘Daddy. Get up!’ She is about to jump down to help him when rough, calloused hands grab her and pull her back.

The soldier holds her to his chest while she cries, one gentle hand on her head. He says nothing. As the ramp seals he squeezes her tight, but he may as well be a ghost to her.

Little Sarah turned six today. The dress her daddy got her is dirty and torn.

A roar – the ship begins to rise.

Everybody is leaving something behind.

 

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kharla's Getaway

Author : Desmond Hussey

We’re cutting it damn close. The three Gyth gliders are closing quickly as we jink in and out of the towering rock spires attempting to stay out of their line of fire. We’re gaining altitude quickly enough, but Kharla’s running low on water to convert to hydrogen for lift. She isn’t used to this pace. If we don’t make it to the event horizon we were done for.

I turn to my helmsman. “How’s she doing?”

K’li’ilk swivels two eye stalks toward me while the other two keep close watch on the jagged wall of rock, foliage and jutting stone terraces flashing past our portside. He answers rapidly in his clicking insectoid language. He’s morbidly pessimistic, as usual.

“I was afraid you’d say that”, I reply. “Just keep her going up.”

Another barrage of angry clicks.

“I don’t know! Tell her she can have all the water and sunshine she wants when she gets us to the other side.”

K’li’ilk scowls with his eyes, then closes them all as he concentrates on making empathic contact with Kharla, our ship.

Kharla’s a Palori, a pseudo-sentient plant. She uses photosynthesis to convert water into hydrogen for mobility through the vast airspace of this uncanny, improbable hollow planet. The H2 is stored in the one-hundred-forty thousand cubic foot, translucent gas membrane looming eighty feet above our gondola. Below the two crew decks, her four enormous, leathery leaves are currently making critical course changes, acting like rudders and/or sails when necessary. Dangling forty feet lower, her water sac and other organs are contained within a smaller, thicker, venous membrane. Trailing nearly a thousand feet, her many hollow, prehensile roots whip about in the gusting winds. She is a thing of beauty.

Jarku, my centipaur engineer, scuttles over on eighty spindly legs. “Ballistas are loaded. CO2, H2, O2 tanks fully charged, sir.”

“Let’s hope we don’t need them.”

We clear the highest spire and make a mad dash for the Event Horizon, a spectacular band thirty miles thick of low to nil gravity which divides the upper and lower hemispheres. Vague, amorphous shapes float within, likely large water bubbles filled with the strange algae that grows up here. If we’re lucky, that’s all they are.

Kharla’s gas membrane has become significantly smaller. We’re losing momentum fast and air pressure has decreased significantly, further slowing our assent.

The leather winged Gyth open fire, raining stone bullets across the hull, tearing chunks out of my ship. The twins, Torrah and Neb return fire with CO2 ballistas, but the fast moving, acrobatic Gyth are difficult to hit.

“Three thousand feet to EH.” Jarku reports. Too damned far.

K’li’ilk informs me that Kharla is nearly out of water.

Time for evasive action. My girl needs help.

“Jarku, fire up the thrusters. K’li’ilk, let Kharla know.”

“Yes, sir.”

“Click, click.”

Kharla’s gas membrane begins deflating, shriveling into a tight, organic ball above us. My stomach lurches as our upward momentum ceases and we begin to plummet.

One Gyth gets too close. Kharla lashes out with her roots snaring the bird-beast in their sinewy grip. She rips off a wing then drops the howling Gyth tumbling to the ocean one hundred miles below. One down.

“Jarku. Now! Make it count.”

Another Gyth swoops up from below as Jarku ignites the short-range pulse-jets mounted below the gondola, catching the avian in its searing blue flame and rocketing us straight up. The remaining Gyth retreats.

We’re going to make it, but our troubles aren’t over yet. We still have to cross the Event Horizon. I hope our cargo is worth it.

 

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Faster Than Life

Author : George R. Shirer

There are three types of people who become FTL-pilots: crazies, masochists and sad sacks.

I’m the last.

At least, that’s what my boss would tell you. That I’m one of those sad bastards who can’t let go of the past. Then he’d probably tell you what a fine pilot I am because he doesn’t want to risk alienating a good FTL-pilot.

Today’s run is just a short hop, from New Mars to the colony on Weaver’s World. The cargo bay is jammed with stasis pods, loaded with replacement workers. It’ll take sixteen hours to get to Weaver’s World. That’s just long enough for a nice chat.

As soon as I’ve got clearance from traffic control, I flip the switch. All the hairs on the back of my hands stand on end as we transition to FTL-space.

Three hours into the flight, Grandma Peg appears. She doesn’t look like I remember her at the end, careworn and sick. This is grandma as a young woman, in her twenties, wearing her engineer’s coveralls, ready to kick ass and take names.

“Hello, Charlie,” she says, taking the copilot’s seat.

“Hello, Grandma. How are you?”

“Still dead. And yourself?”

“Still not dead,” I say, cheerfully.

She laughs and we settle into comfortable silence. After a little while, some of the others show up. My dad, who died in the Newt War, and my sister, Caroline, who bled out in the delivery room because of a faulty auto-doc.

They’re hungry for news of the living. Especially Caroline. She wants to know all about the daughter she died giving birth to.

“She’s thinking of becoming a pilot.”

My dead sister’s face lights up. “Really?”

“If she does, she won’t stay,” I warn. “She doesn’t believe in ghosts.”

Dad laughs. “Another rationalist. If I only knew then, what I know now.”

Lots of people don’t believe you can interact with the dead in FTL-space. This, despite the evidence to the contrary. Most of the doubters think ‘the dead’ are just some type of FTL-space life-form with telepathic abilities. None of the doubters have been able to explain why aliens would appear as our dead and I don’t believe it anyway.

At the halfway mark to Weaver’s World, Allison arrives. My wife looks as lovely as ever. The rest of the family fades away, to give us our privacy.

We talk. I tell her about my life and she tells me about her existence. You can’t touch the dead, so we can’t dance. Not properly. I still cue up the music and we shadow dance with each other, swaying back and forth.

At the deceleration point, a chime rings. I turn to the controls, but Allison calls my name and, smiling, takes my hand. Her fingers are warm and solid.

“Oh God,” I say. “When did it happen?”

“A few minutes ago,” she says.

“How?”

“Does it matter?”

I decide it doesn’t. My dead wife takes my hand and we dance into eternity.

 

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