by submission | Jul 24, 2018 | Story |
Author: Hari Navarro
I crawl through the flap in the folds of my midnight sheets and touch her again. I touch the cold stipple of her naked skin and it is not the hollow caress of dreams. I am not in that place where images scatter and reform into half-remembered fragments, this is not a dreamscape deprived of the tactile – this is real.
I cradle her, enveloping her in my arms in an embrace that has me clutching for the shifting sinew beneath her flesh as it gently detaches, molting from her frame. I hold her together. I must hold it together. I kiss her and taste her death, the crunch of scorched flesh that lines the ripped gape of her mouth.
She died speaking to me, filing a field dispatch from the desert of some fucking planet the numeric classification of which now escapes me. A number that will soon be forgotten too by those who sent her there, her massacre mediocre and but one of many.
I was the battalion surgeon, but, unlike the brave of the past who forged my profession amid the chaos of battle, I struck a more civilized stance. Boldly stepping into battle, vicariously in the form of a medi-drone, one I controlled from a deep-buttoned leather clad hell many light years from the boom and spark of war.
I had developed the diagnostic and surgical probes that lived inside the exo-armor within which she had sat in the desert and waited for the call to surge.
Impenetrable war suits that relayed vitals back to me in an instantaneous cheat of time and distance. Of course, we could have sent drone-soldiers to fight as well, but we humans we just love the crunch of boots on the ground.
So, she’s talking and I’m interrupting. It was dawn and the sun had just spilt across the endlessly undulating dunes, sucking the nights’ shadows back along the wind-carved waves that fingered their every surface. Then a sound, like the crack snap of thumb against fingerâŠ
The round hit her just below her left breast, slicing through the impenetrable and exploding next to her skin. Ripping upward the entirety of her shoulder plate erupted beneath her chin, severing her face in two.
She came to me six days after she died, I thought she a dream, one shredded from the shock that kneads behind my eyes and steals the moisture from my throat, but I could smell her blood as it soaked into the sheets. I could smell it and I smiled. I knew it was her but I didnât reach out. I didnât want her to scare and leave, and though the next day she was gone I knew she would return.
Her body lays still on the sand upon which she fell, forgotten, her suit still transmitting data as she rots in the sun. I watch the incoming feed every day, noticing the subtle changes as she gently breaks away.
I search for her every night, lost and tangled in the sheets. She is always there, though her skin is now stretched and purple. I hold her close and I weep as I feel her bones afloat in a sea of petrifaction ooze⊠Our marriage was far from perfect but she loved me⊠right?
She wouldn’t have come back if she didnât love me. If she knew about what I did⊠she wouldn’t have come. Sheâd have stayed there crumpled and dead on that stained desert plane of a seven hundred and thirty-five gralloched souls.
But she came back, she came back for me.
by Julian Miles | Jul 23, 2018 | Story |
Author: Julian Miles, Staff Writer
ââThe shell is the keyâ? He said that?â
âYes. The carapace is the most remarkable aspect of this truly unusual species. In laymanâs terms, itâs a pico-honeycomb that has all the useful properties of a hybrid of Kevlar and graphene. Add the light-diffusing filaments that cover it and itâs a perfect natural armour against our weaponry.â
âI always thought the ability to resist our weaponry was a bit too convenient.â
âThe âtailored genocideâ and âmonsters under controlâ rumours? Scientist-Commander Greven says theyâre nothing but conspiracy theories. Even with humanity on the brink, civilisation still needs urban legends.â
âSo what has he come up with?â
âItâs an ultra-low frequency sound weapon, derived from some obscure Third Reich research.â
âGood grief, he went a long way back.â
âThatâs why Scientist-Commander Greven leads us. Heâs brilliant and committed; humanityâs best chance.â
âSo when do we get this new super weapon?â
âIt was deployed last night. Take your position, Sergeant. This should be quite a show.â
Silence falls and the thunderous noise made by the approaching legions of mutated six-legged death becomes clearer.
The vibration starts at the edge of perceptibility. It rises to become something not-quite audible that shakes everyoneâs guts and makes fillings in teeth dance. Cries of pain cut the silence as the oncoming horde pauses. Suddenly, each of the coupe-sized creatures starts to rotate in place, their legs beating a frenetic rhythm as they spin faster. Screams of disbelieving horror rise as the creatureâs movements synchronise and their bodies bulge and contort. With chitinous concussions, each monster expands and extrudes knobbly tentacles from under distending carapaces. As one, they all stop spinning. Triangular eyes glow on the truck-sized outlines just visible through the swirling dust
Sergeant Maxim slaps Captain Leon hard to break the man from his wide-eyed paralysis.
âIt would appear someone has decided where their best chance lies. Of course, it could be a diabolical piece of combat holography by our enemies, but as theyâre supposedly a mindless destructive force, what possible use could they have for tactics?â
âSergeant, as weâre about to pulped by an unstoppable foe, letâs drop the veiled speech.â
âWorks for me. Those monsters are under control. Theyâre being used by something else and Scientist-Commander Greven is either an idiot or a traitor. Whether his actions were guided or misguided, I would dearly like to take a squad of our most dangerous and have a pointed discussion with him to clarify his position.â
âWill this âchatâ result in his death?â
âOf course. Whatever he is, heâs no use to us. Weâre going to need to form a resistance and develop some new tactics.â
âTo the devil with only taking a squad.â
âPardon, Captain?â
âAll units, this is Captain Rufus Leon. Fall back, get airborne and re-rig for counter-insurgency. All transports to use stealth mode and reform post-sundown on my beacon.â
âSir?â
âIâve had a suspicion that youâve clarified, Sergeant. How did he know the exact frequency to trigger their growth?â
âCould be coincidence. More likely, the highest treason ever.â
âPrecisely. Move out!â
by submission | Jul 22, 2018 | Story |
Author: Kristin Kirby
You get coffee. You glance around. A dozen people sip beverages or talk or stare into their computers.
You sit. Then you spot him.
Heâs at the counter. He looks at the menu board. You watch him order, watch him pay.
âThank you,â he says with a smile. âHave a great day.â
You press buttons on your device.
Heâs terse the second time. âThanks.â No smile.
You watch him take his coffee and sit. He drinks his coffee, scrolls messages on his phone. His movements are fluid, natural. Whoever built him did a good job.
After a moment he raises his head and looks at the people in the coffee shop. His expression is open, friendly. He smiles at a mother and child sharing cocoa.
You press buttons on your device. His expression turns blank. He goes back to his phone.
Eventually, he stands, walks to the recycle bin. His hand hovers. You press buttons on your device. He moves to the other bin and drops his cup into the overflowing trash.
Outside, cars move like sludge, trapped by traffic lights. The sidewalk throngs with busy people, eyes straight ahead or on their phones.
You watch him fall into step with the other pedestrians, walk briskly. You follow a few feet behind. His gait is seamless, no noticeable errors there. You send a note to your supervisors telling them youâre impressed with his construction.
He walks by storefronts and gray towering buildings. Then he slows and swivels his head. Thereâs a bird in a tree, singing. Heâs listening with a rapt expression. You sigh and press buttons on your device. He strides past the tree and doesnât pay attention to the bird.
Ahead, the sudden blare of a car horn, the squeal of brakes. A shriek of pain cut short.
He hurries toward the growing crowd of onlookers. In the street, cars have stopped. Behind the wheel of one car, a woman sits dazed.
Partway under the womanâs car splays a little girl, bleeding, moaning. The onlookers pull out their phones, snap pictures, gawk, snap more pictures.
You watch him push through the crowd. He pulls out his phone. But he doesnât take pictures.
You watch him rush to the street.
You watch him kneel beside the moaning little girl and punch 9-1-1 into his phone, talk urgently. He leans down to check the little girl.
You inform your supervisors this one will need a complete rewrite. He isnât acting like a human. Then you delete him.
by submission | Jul 21, 2018 | Story |
Author: Antoinette Constable
A three-year-old boy stumbles along the streets, long after bedtime, holding his
mother’s hand. They are skirting barricades, guns, uniforms. The mother longs to lie
down and sleep a long sleep somewhere safe, somewhere dry, yet she keeps trudging, pretending it’s not raining, pretending that soon, she’ll be home for dinner in her house, with her dark-haired child and his father. At dusk two days ago, the boy’s father suggested that she and the boy rest inside a covered cart on the road. Without warning,the cart was driven off with them as he tried to jump in. They saw him run, screaming to wait for him at the next village church, until the currents of the crowd absorbed him.
Three days and nights on church steps. Unwashed, with her unwashed boy sleeping,
nestled against her hip. She wants to go back. She has no map, no friends, nowhere to go.
Chaotically, people flee south, ditching cars that ran out of gas, discarding luggage,
pets, furniture pell-mell along the road, tramping ahead on foot away from advancing
armies rumored to slash women and children’s throats after shooting the men. When
Enemy planes or hail slash the asylum seekers, they take cover under planks, under
Cars, inside cars. In the next nearly deserted town, the woman and the boy who no longer talks. Late afternoon, she finds a church where an old priest says mass alone among candles. She rummages inside her purse and scribbles the boy’s name on a scrap of paper which she pins on his pocket, telling him to sit right there on the parvis and wait for her. He must be very good, she’ll soon be back. Wait, she says. Wait for me. Understand? Kisses both his cold cheeks. No looking back. No goodbye.
He can’t tell his full name or where he comes from. His parents have lost him, yet it is
he who must live in an orphanage. They shave his head against lice. No food is given him until he calls, “Mother,” a woman who never bore a child, “Father,” a celibate in black, “Sister,” hairless women with wings over their ears. At city hall, eventually, someone assigns him a last name, a birth date. At playtime, he draws planes, bombs, and people broken into pieces with blood spurting sideways. He sometimes draws houses, tongue protruding from his mouth. Houses with roofs and chimneys and walls of evenly stacked bricks and stones. Then school, anonymous in a dull uniform. Fights. Foster homes.Prizes. Scholarships. He’s an architect with a patient, consuming urge to build a house in which to live with two familiar strangers.
by submission | Jul 20, 2018 | Story |
Author: Mark Joseph Kevlock
“Why, sir, the past is a portal to happiness!” the interior re-decorator barked.
“I guess,” Smithfield hedged. “I’m just not sure about this anymore.”
“But the work is complete! Your living room, your entire downstairs, your upstairs, your backyard, even — all are redressed in sync with 1976 and ready for transport. With just the push of a button, you will be reliving your childhood memories once again!”
Smithfield surveyed the living room around them. He had to admit: they did excellent work at Timespace Incorporated. Every detail had been accurately recreated from the numerous photographs he supplied. The color of the rug, the texture of the paneling… even the holographic simulation of a typical day on Main Street that ran outside of the big bay window facing the front. Darned if his neighbors didn’t wave to him from across the street — computer-generated images compiled from public records such as driver’s licenses and various newspaper clippings. Even those who had died decades ago, like Old Man Feelaw, lived again!
Mortonson the re-decorator cleared his throat loudly.
“Ah, yes, your payment in full,” Smithfield said.
“Quite good, sir. Enjoy!” Mortonson departed.
Smithfield stood alone, cradling the control box. The refrigerator was stocked with 1970’s food. He didn’t plan on coming back for a long while. Life had gotten too tough for Smithfield. Too many disappointments. Too many of his family and friends no longer living. Smithfield pressed the button. The simulation fully activated. 1976 was his!
Later on, he could watch primetime TV. But for now, Smithfield stepped out into his childhood backyard. The gym set hadn’t been torn down. The walnut tree still stood. Even the sun in the sky was as he remembered it. Smithfield wept. The surrounding neighborhood wasn’t really there, of course. But Smithfield was. And that was all that mattered. Or was it?
Smithfield pressed the button again. 1976 deactivated. Smithfield called Mortonson back to the house.
“A problem, sir? Most unheard of! But rest assured — ”
“There’s no problem,” Smithfield said. “Not as regards your re-creation, at any rate.”
Smithfield handed the control box to the re-decorator.
“The problem is with me. I just can’t make the leap. I thought I wanted to escape. But not that completely. For a moment, as I stood there, I didn’t even know who I was anymore. You understand, don’t you?”
Mortonson nodded, suddenly more a psychologist than a salesman. “A very common reaction, Mr. Smithfield, just between you and me….”
by submission | Jul 19, 2018 | Story |
Author: Roger Ley
Riley signed for the package and came back inside the house.
âWhat was the delivery?â asked his wife Barbara looking up from her tablet?
He looked at the label. âActually, itâs from Estella.â
âYour ex-wife?â
âHow many other Estellas do I know? Apparently, sheâs trekking in some National Park in Brazil at the moment.â
âBeen keeping in touch with her, have you?â asked Barbara.
âEstella stays in touch with a woman at the office and she told me,â he said.
Riley understood her anxiety. The new younger wife needing to be sure he no longer had feelings for the mother of his children.
âI expect sheâs trying to walk off her feelings. That was the whole point of her taking a sabbatical after our divorce.â Eager to change the subject he tore open the package. âIt looks like a bulb or corm, itâs a plant, anyway. Hang on, there are instructions. Weâre supposed to plant it in a pot of damp compost and leave it on a windowsill.â
Barbara grunted and went back to her tablet. Riley knew better than to expect her to do the watering. He planted the bulb, a shoot appeared within a few days and the tip immediately began to form a fat bud.
Two weeks later, he came down into the kitchen and found that the bud had opened and produced a strange and beautiful red bloom. Heâd seen nothing like it, so he used the FlowerChecker app on his phone. Barbara came down a few minutes later, tousled from sleep and wearing the silk dressing gown heâd bought for her, looking lovely even without her makeup.
âWhereâs my tea, you said youâd bring me one up?â
Riley ignored her, heâd double bagged the plant and put it into their wood-burning stove. He was kneeling, adding paper and kindling from the basket at its side.
âWhat are you doing?â asked his wife.
He stood, picked up his phone and read from the screen. âI canât pronounce the name but it says, âProto-carnivorous plant. The flowersâ spores secrete an opiate-like psychoactive substance, which causes a rush of pleasure as they are inhaled. The spores lodge in the sinus cavities of the victim and develop filaments which infiltrate the brain and quickly kill it. They utilise the nutrients of decay in their growth cycle.â Nasty, very nasty Estella,â he muttered.
âThat bitch, she tried to kill us,â said Barbara.
âHell, hath no furyâŠ.â
âYes, but murder.â
âLook, Iâm not excusing her but she hasnât got over our affair and the final break up of the marriage. She canât accept the relationship was on its wobbly last legs and our affair was just the final push. Until she accepts that, she wonât be able to take the step from anger to acceptance.â
âYes, weâve gone over this repeatedly. She just has to come to terms with it. You both changed as time passed, you werenât the same people you were when you married twenty years ago.â
Yes, thought Riley, but we went through a lot together and now sheâs alone.
âWhat are you going to do about it?â
âBurn this bloody thing first,â he said as he knelt and struck a match, âand then send her an email.
***
Dear Estella,
Thanks for the bulb, it looks very interesting. Barbara and I are going on holiday for a month, so I gave it to your sister. Itâll be a nice little project for her and her kids. Iâll be interested to see what it grows into, something exotic I expect.
Thanks again, and I hope this means youâre moving on emotionally and getting over your feelings of bitterness towards Barbara and me. I hope that, in the interest of our sons, we can become friends eventually. Letâs move on like adults.
Iâm sure youâll find somebody to share your life with soon. After all, they say fifty is the new forty and youâre still closer to fifty than sixty.
Best regards,
Martin.