A Defect
Author : Philip Smith
Most of the bots you see in diners are the ones that serve the food. We have one but it was a bad decision on my part. Real waitresses give you a smile and make you feel welcome. Automota makes a place look cheap. When it breaks I won’t go to the trouble of getting it fixed.
Sometimes we get big junkers and security units or the type that move containers around at the docks. There isn’t much for them here. The cold doesn’t bother them. They order food or drinks just for the table and look out of the window or watch the customers. I don’t mind them so long as they aren’t so big they scrape the roof. Before our policy changed we would only turn them away during busy hours.
One tin can started coming in regularly. I think it worked in the hotel a block down. It was thin and the top of its shoulders were fashioned like epaulettes. We don’t get many like that. Every night it ordered bottomless coffee which went untouched and watched the door until closing.
One day a girl walked through the door and as soon as it saw her, the bot turned its head and tracked her across the room. She was plain-looking if you ask me. Wouldn’t have noticed her if it wasn’t for the tin can’s interest. She wore a bonnet, leather driving gloves, a long coat and beneath that a dress, bow pulling tight around her waist. As soon as she sat it slid off the stool and walked over to her.
You don’t often hear them speak. It had a man’s voice, thin and flat. Like he was speaking through glass. There was a little click before and after it spoke. It said.
‘Lisa.’
She started and the look on her face said she wasn’t happy to see it. She looked back to her menu.
‘Lisa.’ It said again. ‘We can not feel warmth but we know that your body is warm. We know your body can rise to meet us. We remember.’
She said. ‘I don’t want to be reminded. Please leave me alone.’ She looked around for help. I put my hand on the zap stick behind the bar.
A click. ‘You were once loving and open and everything was good. We have evidence. Photographs. Many hours were logged.’ It put its ‘hand’ on her wrist.
She said. ‘That was before you were repurposed’ and then, raising her voice. ‘You are hurting me!’
People looked around. I stepped from behind the bar.
It released her wrist and moved back. ‘We just want you to remember. We would never hurt you.’
She looked around at the other customers. Forks set down or frozen on the way to mouths. She lowered her voice. ‘The feeling comes first.’ She said. ‘Then the rationalisation. That is the most honest answer I can give you.’
A click. ‘Old memory is a defect in this model.’
I put my hand on it. ‘That’s enough, buddy, time to go.’
She re-buttoned her coat and reached for her hat. ‘I have to go.’ She said. ‘I have to go to work.’
‘Take care of yourself.’ It said.
She pushed past us and repeated. ‘I am late for work.’
It remained motionless for a time and then left. People went on with their meals.
It hasn’t been back and we don’t allow bots in the restaurant anymore. They have their own section at the bar. Better for everyone, that way.
Discuss the Future: The 365 Tomorrows Forums
This is your future: Submit your stories to 365 Tomorrows

The Past
365tomorrows launched August 1st, 2005 with the lofty goal of providing a new story every day for a year. We’ve been on the wire ever since. Our stories are a mix of those lovingly hand crafted by a talented pool of staff writers, and select stories received by submission.
The archives are deep, feel free to dive in.

Flash Fiction
"Flash fiction is fiction with its teeth bared and its claws extended, lithe and muscular with no extra fat. It pounces in the first paragraph, and if those claws aren’t embedded in the reader by the start of the second, the story began a paragraph too soon. There is no margin for error. Every word must be essential, and if it isn’t essential, it must be eliminated."
Kathy Kachelries
Founding Member

Submissions
We're open to submissions of original Science or Speculative Fiction of 600 words or less. We are only accepting work which you previously haven't sold or given away the rights to. That means your work must not have been published elsewhere, either in print or on the web. When your story is accepted, you're giving us first electronic publication rights and non-exclusive subsequent publication rights. You retain ownership over your story. We are not a paying market.

Voices of Tomorrow
Voices of Tomorrow is the official podcast of 365tomorrows, with audio versions of many of the stories published here.
If you're interested in recording stories for Voices of Tomorrow, or for any other inquiries, please contact ssmith@365tomorrows.com

