Quickdraw
Author: Julian Miles, Staff Writer
“I find charcoal best for landscapes, but cityscapes demand ink to capture their harsh edges. Living things I always work in coloured pencil, layering basic colours to achieve the myriad shades that life grows in.
“For battlefields, it’s charcoal for the vista, and sharp pencils to pick out the monochrome details of death.”
Looking up from the canvas, I watch the Burclanic officer flicking its gaze between outlines of this street hatched out in pen, and my other hand lightly resting a midnight blue automatic against its throat.
“But for close combat, I prefer an 11-millimetre Arduvant machine pistol. The combination of nineteen rounds and crystalline acid in the hollow points make such colourful statements in fizzing blood on any medium they spray across.”
I smile.
“Would you like to become art, or shall we call this mutinous little episode over?”
It swallows slowly, then drops its weapon.
“Over.”
Using the hand holding the pen, I beckon my people forward.
“Good thing you caught me on my break. I’m not as reasonable when on duty.”

The Past
365tomorrows launched August 1st, 2005 with the lofty goal of providing a new story every day for a year. We’ve been on the wire ever since. Our stories are a mix of those lovingly hand crafted by a talented pool of staff writers, and select stories received by submission.
The archives are deep, feel free to dive in.

Flash Fiction
"Flash fiction is fiction with its teeth bared and its claws extended, lithe and muscular with no extra fat. It pounces in the first paragraph, and if those claws aren’t embedded in the reader by the start of the second, the story began a paragraph too soon. There is no margin for error. Every word must be essential, and if it isn’t essential, it must be eliminated."
Kathy Kachelries
Founding Member

Submissions
We're open to submissions of original Science or Speculative Fiction of 600 words or less. We are only accepting work which you previously haven't sold or given away the rights to. That means your work must not have been published elsewhere, either in print or on the web. When your story is accepted, you're giving us first electronic publication rights and non-exclusive subsequent publication rights. You retain ownership over your story. We are not a paying market.

Voices of Tomorrow
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