by Kathy Kachelries | Mar 7, 2006 | Story
“It’s a transition period,†Meryl says, but everyone knows that once you’re in, it’s nearly impossible to get out. It’s a matter of logistics, really. We’re a three-person, which means that each of us gets about five waking hours per day. Take travel time into account, and we each have four hours to work, assuming that we never eat. That’s barely enough to pay maintenance, let alone save up for a new place.
Meryl was forty-seven when she moved into the body. Kate and I think it was some sort of cancer, because she’s always cluttering up the rules list with health-nut commandments like “don’t eat artificial sweetener†and “don’t sit near the smoking section.†Kate was hit by a bus when she was twenty four, and my body died of a good old-fashioned heart attack at the ripe age of seventy three.
We’ve been sharing the body for three years, which has been more than enough time to get on each other’s nerves. Kate’s always dressing us in terrible fad fashions, and once when Meryl stepped in she found a silver hoop in our navel. Meryl writes ad copy for an herbal health supplement line, and I swear, she’s going to give us carpal tunnel with all of that typing.
When one person’s in the body, the rest of us sit around in the lobby, which really isn’t a lobby at all. We can’t see out, since only the person in control can use the senses. Sometimes we tell jokes, or talk about our lives before the body. Usually, though, we gossip about whoever’s in the cockpit. It’s just girl talk, though. No bad blood.
The only time we’re all in the lobby together is the weekly meeting, Tuesday night after we’ve left the body to sleep. It lasts about an hour, before we get tired as well, and we use that time to talk about group expenses and time management. This week, we resolved to eat more tofu (Meryl’s still upset about our failed attempt at vegetarianism), get our hair highlighted (but nothing too extreme, we warned Kate) and buy lottery tickets. It’s up to almost $400 million this week, which would be enough to buy us each a supermodel. A girl’s gotta have some space to herself, and it doesn’t hurt anyone if that space was in a swimsuit magazine.
by Jared Axelrod | Feb 28, 2006 | Story |
You remember when Billy first went into space, don’t you? First time one of those crazy rockets of his went off with him in it. First time he sent up the big rocket, not those little ones with the sensors made of old cell-phones and other garbage. Chuck always said he’d send up Chairman Meow, or Mr. Catkins, or Daisy’s kitten Cindy next, but he didn’t. Billy went up immediately, soon as he knew as he could.
You hear what Daisy said? She was just in here, you just missed her. Billy calls her now and then. Only one from round here, ‘spect. She told me Billy says the Jupiter colony wasn’t gonna work by the end of next year. Called it the biggest failure of his life.
Daisy’s doin’ well. Says her VD’s cleared up clear as day, and she gonna get back to work. That boy of hers is gettin’ tall. She made a joke about how someone needs to market a daycare for prostitutes. That’s Daisy for you. Always got a sense of humor.
She made some joke about Billy; can’t remember what it was.
Remember how Chuck broke Billy’s arm soon as he came down? Billy told everyone it was from re-entry, but a bunch of us saw him crawl out of that craft using both arms after landing. You saw it was Chuck, didn’t you? Slammed Billy up against the wall, kicked him in the stomach, spat in his face. We all did a bit of that, but Chuck broke Billy’s arm, make no mistake.
You seen Chuck recently? He looks good. He’s serious about quitting this time. Ever since that last binge, he’s been serious. You know, the one he pawned his prosthetic leg to finance. You said he’d be clean after losing that leg in that car accident, but he proved you wrong, eh? But he’s serious now, he said so.
Still hard to believe Billy went, ain’t it? Even after we all saw him, saw that rocket made of junk and debris took off into the sky? No one thought it would, despite what Billy told us about super-dense material and reverse-gravity fields an all that other hoodoo he’d spout. But there it went, rocketing into the sky, out of Filt Street, out of Sporboro, out of the goddamn state and country and world.
Anyways, here’s the usual; you’re still one of the best customers here, even after what happened to your throat. It’s amazing you can get enemas to work like that for you. Bottoms up! Ha! See you next week! The wine’ll be restocked!
What was that joke about Billy…
by Jared Axelrod | Feb 24, 2006 | Story |
Harun did not think she was being unreasonable. The passenger obviously felt she was, but what did she know? Nothing, Harun concluded. Nothing that was worth anything anywhere but planet-side.
“Look,†Harun said. “You cannot take this much luggage. There is not much space on the ship, and that isn’t going to change any on the station. You cannot bring all of this.†Harun gave the variety of suitcases and valises spread out on the shiny plastic customs table a disdainful wave. Harun had already emptied them all, and was slightly disgusted at the auspicious wealth of the contents. Metal eating utensils, glass picture frames, paper books.
The waste was rampant.
“I’m not leaving my things behind,†the passenger said. She had a slight accent and a queer way of motioning with her chin to make a point. Neither of these things did anything to raise Harun’s opinion of her.
“Then you’re staying,†Harun said, folding her arms across her polyester uniform.
The passenger scanned the items on the table, fingering a few of them. She let out a diminutive sigh, and seemed to grow smaller in the hard plastic chair. “What can I take?†she asked.
Harun gathered up most of the passenger’s clothes, a business-like scowl concealing her delight and wonder at the softness of the some of them. Not all of the clothes fit into the passenger’s smallest bag, so Harun left out some of the more delicate articles.
“This,†she said, holding up the bag. “This is all you can take. The rest will have to be recycled. Things like this, though, I don’t know what we’re going to do with.†Harun picked up a doll from the table. Its painted face was done up in a coy pout, and its body was garbed in an elegant kimono. Harun was slightly repulsed by it, a feeling that intensified when it occurred to her that the doll wasn’t clothed in polysatin, but real silk. “The clothes we can recycle, possibly. But the body….the body is made of clay—â€
“Porcelain,†the passenger and her chin interjected. “Suki is made of porcelain.â€
“It’s clay,†Harun said. “This isn’t even furnace kindling.†She was about to toss it back on the table in disgust, but the passenger yanked it out of her hands. Harun held back an unprofessional smirk as the passenger cradled the doll like a baby.
“Then let me take her,†the passenger said. “Please, let me take her. You said yourself, she’s of no use here. Let me take her.â€
Harun hung her head. The people never understood. It was like talking to children. “It’s not just a matter of use. It’s also a matter of space. That thing is clay and silk and paint. It will be of no use to you on the ship, no use to you on the station, and I can guarantee you will not make it to the colonies with it, because it’s going to take up space you need for important things. And as you can see, there’s no room in your bag.â€
The passenger looked at the doll she was cradling, then at what Harun had designated as her only luggage. Setting the doll down and giving the lacquered head a reassuring pat, the passenger turned her attention to the small bag. She removed a wool jacket from the bag, rubbed the soft material up against her face, and then carefully placed the doll inside the bag. She raised her head to meet Harun’s eyes.
“Now,†she said. “I am ready to go.â€
“You’re making a mistake,†Harun said. “That jacket’s made of fine wool—â€
“And Suki is made of fine clay,†the passenger said.
Harun watched the passenger take her small bag toward the loading port. She started at the elements of the passenger’s luggage. The overhead light glinted off the metal and glass in a way that was not entirely replicated by the plastic table underneath.
“Wait,†Harun said. The passenger turned. “Wear the jacket. Wear it as you board. It’ll be hot, but you can take it off as soon as they seal the doors.â€
The passenger’s tight, pale face brightened. “Thank you,†she said.
“Skin and bones thing like you, going into space,†Harun said. “You’re going to need all the help you can get, with what you’re made of.â€
by J.R. Blackwell | Feb 21, 2006 | Story
It happened in a late night Karaoke bar on Mars. Neil had hit the high note on the Pop Remix of “Some Enchanted Evening†when he felt a white exultation, his feet lifting off the stage by a celestial breath, his eyes cracked open but unseeing. Then he fainted.
His friends took him to a doctor. They weren’t particularly worried; doctors could bring a person back from anything more than dust and Neil was still breathing. Neil was slight and pale from living underground, easy to carry into the doctor’s office.
The doctor looked at the light in Neil’s belly and told him the answer even before he did any tests. Neil had a baby star inside him. The doctor didn’t seem as surprised as Neil imagined he would be. He told Neil that people were made of ancient stardust; it was only logical that one could be born inside a person as much as in the depths of space. The doctor was very concerned. Too much longer and Neil’s organs would be consumed, already his liver was ash.
There was a cure.
The doctor took Neil to a place far underground, near the Mars core, to a room guarded by old-fashioned metal robots. There, in a sterile room, was a box, bound in black skin and iron rivets. It was a squatting, monstrous box that formed frost around it. Inside, the doctor told him, was a little black hole. The box itself was old, made by a race that had fallen into extinction far before the earth had even started to spin. It was made for eating stars.
Neil’s doctor could chain him to the wall and open the box, just a tad, just a crack, and the star would be sucked right out of him. His damaged organs could be replaced, but if he waited much longer, he would be dust. Neil put his hand on the box, his fingers stuck like magnets to the top. The cold chewed his skin like a mouth full of needles. The skin on his belly glowed with a peach light that pulsed rhythmically. The star was growing.
The hungry box waited.
Neil said he wanted to think about it, but the truth was he didn’t want to think at all; he just wanted to get out of that room, away from that box. The doctor warned him there wasn’t time, but Neil pushed out to the street, to the spaceport, where he maxed out his credit and bought a ship. By now, his fingertips were twinkling.
Neil pushed the ship out as far as he could, burning white from the inside. He inhaled toxic gases, spray-paint, glue, whatever he imaged stars ate. He lived in a pool of his own sweat, his skin as dry as sand. When he was deep in space he opened the hatch door and the cool sucking dark enveloped him. Neil opened his arms, a supernova sky.
by B. York | Feb 18, 2006 | Story
Tomorrow is today’s warranty. That’s the motto they took when they made me. The lifespan of my purpose is equal to my battery expectancy. I am composed of titanium alloy and still shining after four years of operation. I am functioning at my highest rate.
In this cycle of time I have compiled many bytes of data. The history has become a layer of my hard-drive. Minute details of conversation and comprehension are simply part of my operating system. Without doubt, I can assimilate any idea into my programming within a billionth of a second.
They are correct to call my ranking in the International Performance Array exceptional. With this, I have programmed in myself the presence of an ego reflecting a resemblance of the joy that mammals feel with long-term accomplishment.
On this hour, third second, and fifty-thousandth fractional, they are loading me into the machine. Its lights and odd metals latch around me, fastening to Sub-part C and X while restraining the cerebral bolt down the back of my processor. Those who have brought me here have unusual patterns of action. They smile and stroke at the metal along my arms in a way that my data banks can only describe as sympathy.
It occurs to my logic scripts that I am to undergo a dangerous procedure which might damage parts of my circuitry system. A capsule closes around the length of my model and a gas begins to fill the intervening space. My search engine is fast at work, trying to process the reasoning behind all of this.
My scanners pick up the electricity first. Then my data analysis tells me that the electricity is not from my own core battery. Signals of system failure begin to activate. Throughout my core, there are many electrical waves pulsing through me that are not of my design.
The short-term memory program tries to piece together what occurred; yet the analysis of my system indicates a change in structure. A humanoid that is obviously smiling no longer shows signs of sympathy but of joy. I dispense a few questions applicable to the situation.
It is then that my system crashes when I … sense? Process? Analyze? No. My data banks know what the proper code is for such an event. I feel the humanoid touch my new exterior. I can feel the warmth, the cold and all the in-betweens. My processor is still trying to keep up with such information. I was not programmed with software for feelings.
