Prairie Echo

Author: Phil Gagnon

The prairie stretches before me in an endless expanse under the million blue hues of a sublimely beautiful sky. The camp is busy with the preparations for serving the evening meal and then later to bed down for the night. A freshly downed buffalo has supplied the cooks suitable forage for a veritable feast even while the smells of roasting meats and stews are denied to me.

Enervated movement in their evening chores conveys the weariness of the prospective settlers in the long journey they have made so far, and for the thousand miles remaining. I do not feel that same fatigue that is imparted over the twenty miles of walking and riding that the convoy made today and the same many days before.

I fish the harmonica from my pocket, pleased by the cold steel in my hands. The instrument is a family relic. It traveled these trails with my ancestors as professional captains of the wagon trains that crossed to and fro over the wild continent that is now before my eyes. This artifact conveys a feeling like it knows this place better than I ever will, even though I am a captain of emigrants in my own right.

The switchgrass moves in endless waves and I can hear the sharp snap of the canvas enveloping the prairie schooners, the winds that cross this land unchallenged have come to lap around the first abrupt obstacle in their paths. While I cannot feel the stir of this air, I have known the ebb and flow of far greater winds. I raise the battered harmonica to my lips and play the tune of the atmospheric tides. The small fire I have near me imparts no warmth, but its crackle is the percussive accompaniment to the melody.

Lost in the moment, I watch as the sun begins its fiery descent into sunset. The lurid reds and oranges are stark against the indolent violets and black. I pause to observe the encampment again. Even though one in ten will not make the end of the trail the respite leads them to laughter and recreation and the sounds of a people awakening from a long day’s drudgery with unbridled excitement for being one step closer to the end of their journey. I smile at their prospect, even though they will not speak to me directly.

Twilight has blanketed the camp in the inky pitch of night. I play a gentler tune that corresponds to the rhythmic dance of the shadows across the camp. My aria is just beginning its last wordless verse when in the blink of an eye the life of the camp is frozen, the shadows held fast to whatever surface they cling to. I instinctively turn to the west knowing an ethereal message hangs waiting in the air. It glows in soft artificial green:

Virtual Recreation Allotment Has Been Reached

I go through the command sequence to shut down the VR emulation. I am going to be needed on the bridge shortly, as a captain’s duty is never done. We will be making our final approach burn for TRAPPIST-1e this evening to deliver the yearly allotment of twenty-thousand colonists aboard CV Prairie Echo. I slip the harmonica back into its protective case. The 400 year old instrument has accompanied the safe movement of hundreds of thousands of people in its time, and I have no intentions of breaking its streak.

Shifter

Author: Kafi Desir-Lorde

It took nine long seconds for my cells to transform. The dryness was unbearable. My innards felt charred and empty, especially my head; this was intensified by the vibration of my breathing chambers. I felt undulating friction between all of my exposed bodily fibres, the substances passing over and between them, fluid, but not in any way relieving this overwhelming inner drought.

The limited colour spectrum made my new vision challenging and I found it difficult to recognise the quarters I was in. I now had six eyes and my comprehension was under the sudden stress of three-hundred-and-sixty degree vision. There was a reflective surface I now wished to look in but I could only see a shiny absence of colour. I moved thinking I would see myself but I just didn’t. I could see every infinitesimal molecule that made up every piece of matter, my world was now a structured blur.

I was still trying to find the controlled use of my limbs; I felt the backs of my hands touching the floor, felt the huge shoulders they hung from. My centre of gravity was different, bigger, but I still had four limbs, strong hind legs bent like an animal that walks on all fours; large and agile. I had general control over the direction I wanted to move towards but practically no fine motor function. I used this time before the summit, getting acquainted with my new body. I arrived at the meeting on time and took my seat at a resting bay with the other Camakadāra diplomats.
Tu’aah took precedence over the meeting. Our language does not have words sufficient to describe the communicative processes of the Camakadāra. Their language is harsh, rasping, very loud and they use their entire bodies as vocal chords but they also transmit messages as energy. The projection of Tu’aah’s voice vibrated the air in the room.

‘Camkadā have water from VLSP371. All life there finish. One hundred years, no movement. We honour their dead, take and share water, honour our living.’ There was a tangible wave of warmth from Tu’aah melting towards us all, of jubilance and humility. Such a gift had not been found for many hundreds of years in our quadrant. ‘Water is life. Life belongs to all balanced worlds. We owe each other.’

Then he said something like ‘we have hiders, we fill building with bïïja, inside colour hiders.’ The feeling this time was intense: fear, distrust, rage. Tu’aah had not long began his proposal when I began to feel something attaching itself to my exterior from the air. I didn’t intend to make any noise but now, a kind of dusty sizzling turned all gazes towards me and when I spoke, it was with my human voice.

There was uproar, all Camakadāra shouting, gesturing their great limbs towards me. I did another varîua, all I could think to do was become a flea. I leapt from my bay onto the next; the Camkadā howled and shook as I ran through his hot body. I broke through flesh. I searched for the delicate spot between the jaw and ear of the two Camkadā between Tu’aah and I and heard their bodies fall once I’d made contact.

Tu’aah wasn’t ready. I found his lower right eye in one jump and pushed myself in. With this varîua I returned to my human form. Transforming within a body was unpleasant; my middle legs merged, my feet cracked through breathing apparatus, my fingers broke threads of tissue, my numb exoskeleton gave way to hyper sensation. I became a monster. Again.

Death in the Heavens

Author: Fariel Shafee

It always was the dazzling stars — always, since he was a toddler. They flashed like beckoning lighthouses. “This is your destiny,” John utters the words in a room with no other souls. But the words feed into his own head. He likes the sound and the enticement.
John remembers how he had prepared to reach this point. He had given up his summer vacations for extra science classes, had taken up mountaineering to strengthen his muscles. He had imagined at night that he was in a placid rugged land fraught with beasts and with little air, and he had tried to hold his breath. He could survive the flight.
When training began, he worked almost like a machine — made up a little notebook where he meticulously jotted down each day’s activities — the minutes divided up neatly. He ate the tasteless powdered dissolved in what in reality would transform into recycled urine. It was all fine. Nothing compared to the gain.
The phone rings. He had been waiting for it forever. This would be the moment. “I am ready,” John whispered to himself.
In his small stark room, John feels solidly prepared. “Yes, thank you. I would be happy to serve,” he rehearses the words.
The voice though is more anxious on the other side. He had asked her not to call.
“Don’t, don’t slam it down,” the voice is almost full of tears. John does not wish to imagine the slender girl with her curly lips and her whimsical escapades. They should not have crossed the border. They should not have gone to that dingy town. They should never have gone into that little hut with the hag who brewed them dark thick alcohol that almost looked like a witch’s potion.
“You have it, John. Like I do. I am so really sorry. It was infected.”
John freezes — does not know what to say or to think. The transition is too quick.
“But I am going to the star,” he whispers almost to himself.
“What?” Jenna shouts. A siren drowns her.
“We have three days to get it. The antidote,” Jenna starts crying, her voice breaking into hysteria.
“Or else we are both dead.”
After the phone goes silent, as though Jenna had been gagged, John stands silently by the table.
“Three days,” he murmurs. “But I wanted to go to the stars.”
One hour later, the phone rings yet again.
“Mr, Miller, congratulations,” the voice is deep and assuring. There is no meddling siren in that bunker. ” We shoot off tonight at ten.”
John does not think of the world, or of Jenna, or the life that is too short.
“I will be happy to serve, sir,” he utters as he had prepared for almost an hour.
After the phone is silent again, he walks back to the other end of his room, opens up a suitcase, and puts in his bare necessities. Those were not the worldly ones but the few new technologies that would last him in the sky, with flashing light passing by the window of a darting encasement that would surround him — throughout the last three days of his life.
Nb: This piece is an edited version of a creative writing project assigned by Coursera. I would like to thank the instructor for the problem.

Oldest. Scam. In. The. Book.

Author: Andrew Dunn

Tina played bass in a psychobilly band on Mars. She was telling Tim all about it, how she leaned skin and bones into that carbon fiber instrument and thumped those heavy strings in time with the beat. Tim was taking all she said in, because Tina had neon tattoos that glowed underneath her fishnet in the bar’s dim light.

I should’ve put my hand on Tim’s shoulder, and whispered in his ear, “Do you really believe what she’s telling you?” I didn’t.

Tim would’ve brushed my hand away and bought me another round, because he had a plastic card loaded up with cryptocurrency he couldn’t spend fast enough.
The bartender was taking his card, swiping it through the thing, and rocket-fueling Tim into closer orbit around Tina.

“Steg’s bad.” The bartender groused.

Oldest. Scam. In. The. Book.

How does it work? Like this: A guy like Tim stops off to wet his whistle at a watering hole in orbit around Deimos. Or Phobos. Whichever. You get the picture. The guy starts buying drinks, and then Tina shows up. So the guy is buying and paying with his crypto card, the kind with a picture on one side. That picture contains code. Steganography. The code has to validate to complete each sale, and then it changes to keep the code, well, a code. Tim buys a few rounds and then…

“Steg’s bad.” The bartender isn’t just grousing now, he’s mad.

Tim’s confused, begging, “I just used that card,”
because he did. And every time he did, the picture on the card changed because the embedded code validated, and a little more of his money was gone.

Tina wasn’t confused. She was urging Tim, “Maybe try it again?”

The bartender was squinting skeptically until my hand rested on Tim’s shoulder. I leaned in close and whispered, “It can’t hurt, right?”

Tim stared into his drink, and then up into neon designed to make the low orbit dive look like a terrestrial dive back on Earth.

“Yeah,” Tim bellows, “try it again.”

And the bartender does, again and again, the picture on the card changing from the Mona Lisa to the Queen of Hearts to Marianne from Gilligan’s Island and the phone in my pocket buzzing as the bucks kept pouring in. I was feeling good knowing even after I split it with the bartender, I’d be sitting pretty, until…

“Hands up.” Tina demanded, phaser in her hand at once on me, then on the bartender, and back on me again. “I want your phones and your crypto. Now!

“But you play bass in a psychobilly band on Mars!” Tim whined.

“She ain’t lying no more buddy.” I mumbled, the carbon fiber body of this android’s hull creaking as my mechanical fingers fished through polyester pockets, wishing I’d never been programmed to lie.

Witch Hunts

Author: Julian Miles, Staff Writer

I didn’t want to write this, but here’s the thing: I have to.
Sitting in my study, looking out the window at a glorious sunny day, with kids running riot in the playground and old folk sat on benches watching the world go by, it’s what many would call perfect.
Which is the root of my quandary. It’s the 22nd July 1952. How can I tell them it’s not going to last? The wondrous future of leisure supported by advanced technology that everyone talks about is a lie. I’ve seen it: the computers, the prosperity, the inequality, the Nazi trappings. For the majority of people, it’s a dystopian ‘work until you die’ future, and it’s less than eighty years away!
The machine doesn’t have the ability to let me see how we get there. In truth, getting the view I have was a miraculous accident. Einstein had some ideas about the future being set, and viewable. I might have confirmed some of them.
What puzzled me is that what I see changes each time. Initially I thought it was because my act of viewing enacted some Heisenberg effect upon what I saw: either due to my observations, or possibly knowledge of what I have done and seen becoming public.
Then I thought it because of me viewing on different days – which may have some bearing, I admit.
I am now more of the opinion that Einstein’s fixed universe view is not entirely correct. I believe the view changes each time because I am seeing the various possible futures that could exist at that point, depending on which significant events transpire or fail between now and 2032.
My greatest horror is that not one of the futures I’ve seen differs in the fundamental composition of society. After all the sacrifices of the last decade, it seems the fascists will eventually triumph. The uniforms may differ, but the words, the targeted hatred, the cowed populations and ruling elite are unmistakable.
I intend to continue to document my work for a few more days, then prepare an initia

The man finishes reading, then reaches over the body to pull the page from the typewriter. He turns to the woman who is rummaging through the cluttered bookshelves that cover two walls of this small study.
“No need. The whole place will have to go. We can’t afford to miss a thing.”
“Thank God.”
She drops the papers in her hand with a sigh of relief, then waves to indicate the room.
“Is it that serious?”
“From what I just read, he’s a dyed-in-the-wool communist crank. Looks like another scientist driven doolally by his work.”
“Senator McCarthy might be overstating, but he’s not wrong. I’m beginning to wonder if all this science is such a good thing, either.”
He turns and pretends to check outside the window so she doesn’t see his smile. Turning back, he pulls out a lighter. She opens a slim silver case, extracts a pair of cigarettes, and puts both between her lips. He lights them. Then, with a little flourish, he sets fire to the page and drops it on the floor.
They step out of the room as the fire starts to spread. He takes the cigarette she holds out. After waiting long enough to be sure the place is well alight, they leave. Walking a short way down the road, they duck into a black DeSoto and drive off.

Visions

Author: Judith Pratt

The statues were falling apart. I knew they would.

Poseidon’s trident cracked. Hercules lost an arm, and the Discus Thrower lost his discus. Aphrodite still tried to hold something in her hand, but her robe had disintegrated.

The bosses of Gods & Heroes, where I work, fired two of the designers and their resin supply company. To my surprise, they didn’t fire me, even though my own boss, Diane, is always saying “Sandy, you’re being negative.” She says that because II see problems coming and have to tell people about them.

Maybe I’m still here because many problems take years to explode, so everyone can be surprised when the database crashes or a customer sues us because their statue fell apart. No one ever remembers that I knew that would happen.

I try not to see these things, but they haunt me until the words are out of my mouth even if I’ve pinched it closed and gritted my teeth.

When I told my second husband that the cellar would flood during the next thunderstorm, he got angry. “Don’t I have enough to do without you thinking up catastrophes?”

It did flood, and, he wouldn’t talk to me for a week. This is the third relationship I’ve ruined.

When this husband left, I went to a shrink.

“I can’t keep my mouth shut when I see a problem,” I said.

She wanted to know about my family, if they didn’t listen to me.

My parents always listened to me, I said. Then they would respond by discussing all the other things that might happen, or that I might want, instead of what I did want, or what I said was going to happen. They seemed to listen, but they gave such endless consideration to what I said that I was never sure if I’d even said it.

That can’t be why it’s impossible for me not to speak about what I see coming, I told the shrink. That can’t be why I can always see what’s going to happen. “No one can see the future,” she told me. I didn’t argue, but I didn’t go back. And I didn’t tell her that her car would break down today.

What god did I offend? God of accomplishment, god of self-esteem, god of chaos? I’ve read every version of the Cassandra myth. Nothing applies to me. No snakes spoke in my ear. I didn’t promise Apollo that I’d come to his bed. I’m certainly not a virgin.

This year, this year is different. Everyone sees some terrible danger approaching, but no one can agree on what it is. Climate change or socialism? An epidemic or a plot to ruin the economy? The end of our country, or its rebirth? Some folks think that enough discussion will lead to a consensus. But this isn’t discussion, it’s shrieking across a great chasm.

What do I see coming now?

I don’t know. The shrieking has finally shut down my visions.