by submission | Mar 11, 2020 | Story |
Author: Moriah Geer-Hardwick
âWhat a mess.â Cabot wearily scans whatâs left of the room. âDamn ATU didnât leave us much to work with.â
Spattered with blood and bits of debris, the ATU stands to one side, patiently awaiting its next objective.
Stokes nudges a severed arm with the toe of his boot. âYouâd think the Company would upgrade to quantum hardware for this kind of operation.â
âToo expensive.â Cabot shrugs, easing his way passed the splintered wreckage of a couch.
âWhat about cloud-based AI?â
âToo many security issues.â
Stokes walks over to a corpse crumpled awkwardly against a bookshelf. The lower half of its face has been ripped away. âThis oneâs no good? Damage looks superficial.â
Cabot shakes his head. âPossible head trauma. Letâs see if one of the others is more viable.â
Stokes moves to the destroyed couch. A mangled hand sticks out from under the far side. He gestures for Cabot. Together, they heave the couch aside. Underneath, lays the upper half of a human torso. From the shoulders up, everything appears intact.
âSure.â Cabot sighs. âGet the collar.â
Stokes drops his kit and wrenches out a bulky, ring-shaped device. Moving with practiced deliberation, he soon has it locked in place around the corpseâs neck. He jabs a thumb into the activation button. Thereâs a quick crunch as the neural probe stabs through the skull, followed by the slight gurgle of necro-gel being injected into the brain.
The head twitches. Then, the jaw feebly opens and closes. A moment later, the corpse gives a spluttering gasp.
âTrying to breathe.â Stokes taps away at the collarâs control pad. âShould have autonomics in a second. Iâll see if I can go ahead and get speech up.â
Cabot crouches and taps the corpse on the forehead.
âWhaâŠâ The corpse struggles to form the words. The sound comes from a speaker in the collar. âWhat⊠Happened?â
âYou were killed.â Cabot glances at his watch. âAbout four minutes ago.â
âI was⊠dead?â
âYes, for about four minutes. Try to keep up.â
âHow am IâŠ?â
âWe can talk about the technicalities later. For now, I have a few questions. Whatâs your name?â
âMalick. Andrei Malick.â
Malickâs eyes roll back and his face sags. Cabot looks over at Stokes.
âCognitive issue disrupting the imposed homeostasis.â Stokes hurriedly makes a few adjustments.
âMr. Malick.â Cabot again taps the manâs forehead. Malick blinks. âI know that factionalism tends to lure individuals away from the natural compulsion of self-preservation by promising a glorified afterlife, or by arbitrarily ascribing a hyperbolic social value to personal sacrifice. Your presence in this room suggests you have fallen prey to one or more of these tactics. Now that you have experienced the true cost of your political views, do you remain committed to your previous ideology?â
âI was⊠wasnâtâŠâ Malickâs face distorts in confusion. âThere was nothingâŠâ
âMr. Malick, weâve pulled you back from the void of non-existence to offer you a choice. We can either return you to emptiness of oblivion, or the Company is prepared to offer you a position that will let you remain here, in the land of the living.â
âI want⊠to live.â
Cabot nods, amicably. âSounds like enough to imply consent.â
Stokes pauses at the control pad. âMr. Malick, the manual says after your brain is processed into an ATU, you wonât retain any memories, but in case you do, please try and remember to keep everything center mass. Makes our job easier.â
âWhaâŠ?â
Stokes presses a command and in a flash, the collar separates Mr. Malickâs head from whatâs left of his torso.
by submission | Mar 10, 2020 | Story |
Author: David C. Nutt
It was a beautiful VR construction. Potted dwarf apricot trees, soaring arches, piles of ornate cushions and silk settees, thick oriental carpets. It was, by all accounts, the most perfect steampunk zeppelin grand salon the Adjustor had ever seen. Clearly, Citizen Archer had a keen eye for detail. Adjustor 507 sighed. Such a waste of talent.
âHow did you get in here?â
Adjustor 507 reached into his jacket pocket barely noticing how fine the VR Edwardian wool waistcoat construction was as he pulled out his badge.
âAs per the Bureau of Individual Ethics and Standards, I have warrant to go anywhere, including any kind of VR construction being utilized.â
âBut this is my own world. My own thoughts. No one else is allowed here.â
âI understand you think that. Sadly, what happens here bleeds out into your real world. Since your purchase of this program and the construction of this simulation, there has been an 8% rise in your workplace aggression. Nothing too serious needed beyond this visit and intensified monitoring, but the aggressive peer comebacks and the inappropriate gender construct comment- â
âInappropriate gender construct comment?â
âYes. You were flagged by our system after a routine review of the national workplace CCTV footage picked up a questionable exchange. That exchange was selected for human review. On Fifthday last, you referred to the small watercraft you are building as âsheâ.
âBut thatâs what ships are called⊠â
Adjustor 507 interrupted. âExactly the problem. The term comes from a day when women were routinely objectified. A watercraft with a female pronoun. An embodiment of a woman who could be lashed down, made to go where the patriarchy demanded.â
âItâs a boat.â
The adjustor sighed. âIt starts with a boat. Then it generalizes by increments until it spills out as full-fledged gender-biased microaggressions. From sailor to sexist oppressor. It is better for the broader society if we stop this now.â
âAt what cost to the individual?â
The Adjustor narrowed his eyes âI beg your pardon Citizen Archer.â
Citizen Archer stood up. âI said âwhat cost to the individual?ââ
The Adjustor smiled. âI thought so.â
Archer smiled âThought what?â
âNothing.â
âItâs not nothing. You just got through telling me what happens in my head spills out into the real world.ââ
The Adjustor took a step backwards. âIâm not the issue here-â
âNo. What you think matters. How you act on those thoughts matter. Is there a bias you are hiding?â
The Adjustor rolled his eyes âNot bias, data. Your types-â
âMy types? Do you mean older late 21st century males of predominantly Caucasian extraction?â
The Adjustor began to sweat visibly. âI-I-I just follow the data.â
âIndeed. End simulation.â
The steampunk zeppelin disappeared. In its place, not anyone resembling Citizen Archer, but a representative from Internal Affairs.
âYes Adjustor 507, you are following the data. However, the data sets you are selecting indicate a more than 30% bias against the aforementioned profile.â
Adjustor 507 shoulders sunk. âI-I-I- donât know what to say. I thought I was doing my duty.â
The Internal Affairs officer smiled sympathetically. âI understand. Itâs nothing that a few hundred hours of biased data selection avoidance training canât cure. Report to the re-education center for your district on Firstdayâ
Adjustor 507 handed the Internal Affairs officer his badge and left the room.
The I.A. officer did not smile, nor sigh, nor do anything that could possibly be construed as any positive or negative emotion at all. Yet, deep in their soul, they jumped for joy.
by Julian Miles | Mar 9, 2020 | Story |
Author: Julian Miles, Staff Writer
Dawn is like a neon tube: a strip of too-bright light. Above it are the clouds that hang across the city all the time, below are the outer walls. From this far inside, the watch towers and turrets look like the bits that soldiers hid behind in castles.
Castle? If so, City Central is the big fort in the middle where the royalty live. Around it are the homes of the rich people. Beyond that are the services that make sure the rich or royal never have to do dirty jobs. Around that are the places where the people who do the dirty jobs live.
Beyond that? Itâs a big place, filled with hydroponic farms, scrapyards, shanty towns, and us.
I shake my head and pick up where I left off.
âNot that weâre any different. Donât have clothes for different times of day, donât have much choice in the shops, donât get to eat out often. Apart from that, if you scrub me and stick me in a fancy suit, you wouldnât know the difference. Thatâs until you try to have a conversation. Itâs not like we have much common ground.â
Thereâs a giggle from my right.
âTorin, stop worrying.â
I look down at the vision sprawled in the filth next to me.
âThat dress cost more than my old man could make in five years.â
She smiles and rolls onto her tummy.
âNot really. Only vanity and greed make it expensive.â
A flitcar drops to hover a metre or so off the roof edge.
âRebecca de Vure Marigny! Come here!â
She sits up and winks at me, then turns her head and shouts at the noisy machine.
âRoberto, I will not. Mother said I was free to go where I wanted for Centenary Night. Here is it.â
âLeave that tarted-up rough! Heâll just roll you and run!â
She looks at me, eyes wild, but thereâs something there thatâs ours.
Turning back, she points at me.
âHe made it all the way to the Botanical Gardens Free Fair with nothing but a good suit and an attitude. Could you find your way downstairs without a valet? Are you even alone in there?â
âThatâs beside the point! Charles Harringdon was asking after you!â
âHe wears bedsheets and smells like damp dog.â
âHeâs a good catch!â
âThen you have him!â
Her dismissive wave stops midway.
âYou fancy my rooftop Romeo too, donât you?â
âOf course not.â
I lean toward her: âHeâs an impressive flyer, but not my thing otherwise.â
A wet kiss lands on the tip of my nose.
âIâd missed that.â
She stands up and points at the flitcar with both hands.
âBarbara de Vure Marigny, you canât have this man. Have Roberto instead!â
The privacy screen drops and I see a younger version of Rebecca grinning at us from the control seat. Behind her is a darkly handsome young man. His menacing glare is marred by the intense blush thatâs spreading across his cheeks.
Rebecca makes an intricate hand gesture toward Roberto, who recoils like heâs been punched. The girl, who I presume is Barbara, is laughing as she replies.
âDirty cow, enjoy your mucky morning. Iâm going to take this fool away and help him with the obvious problem heâs had ever since he saw you lying on that roof.â
The flitcar dives out of view. Rebecca turns to face me.
âSpeaking of âproblemsâ⊠Hope you fancy helping me with mine as much as I fancy helping you with yours.â
I chuckle.
âDidnât come up here to roll in the dirt on my own.â
by submission | Mar 8, 2020 | Story |
Author: Michael Anthony Dioguardi
The pianist pounded on the ivory keys and produced such sound that dust trickled from the ceiling. The shadows of his hands collided with the flicker of candle light, orchestrating a waltz of chiaroscuro. The trills and follies manipulated each other into exotic patterns. The pianistâs pupils reflected the rattle of seasoned appendages in their abode. Sweat crept down his face and dried on his neck.
He ran up the pentatonic, skipping the eights and fifths. His right hand pressed full octave chords as his left hurdled over it; stepping on the black keys as if they were hot coals. His hands and mind raged in a vicious tug-of-war for control over the concerto. His chair bellowed as his arms swung and whipped around the pages of his manuscript. Papers wallowed from the stand and floated to the floor but the pianist was uninterrupted. Notes hung in the air like mist. He lifted his eyes to the ceiling and gazed into the void of his own creation.
And then he felt it â the vibrations in his ears. His lobes pulsed with blood flow. Saliva avalanched over his bottom teeth.
This vibration â this sound, it was alien.
There was a competing force, not of his creation. The pianist confronted the sound of another. He recognized the melodies and the unmatchable style. The unknown force propelled the pianistâs hands back towards him. His vision blurred and the chair beneath him disappeared. The details of his workplace dullened into azure hues striated by fleeting measures, now incarnate. The pianist found himself in the most obscure chamber. The rival force filled the deteriorating space with haunting sonatas. The pianoâs notes lingered fresh in his view. Their figures elongated and revealed their innards. Lines pirouetted into complex shapes and exploded before his eyes. The rival conductor engaged the pianist, chiding him into terror. The rivalâs face, obfuscated by the arrangement, contoured a familiar image. The pianist extended his hands towards the face, but the ceilingâs imperfections returned to view. The music faded and his hands returned to him.
The pianist observed his corner in silence. He collected the papers from the floor and placed them atop the stand. The pianist shivered past his lips, âThank you, Amadeus.â
He caressed the keys once more, their surfaces still burning, âYour Requiem is complete.â
by submission | Mar 7, 2020 | Story |
Author: Shannon O’Connor
I got the chip in my head so I could go faster and discover things nobody else knows, but Iâm not supposed to tell anyone because my enemies could use the facts against me. I have to travel to search for new ideas to steal from scientists to find out the secret of eternal youth.
The implants wonât make us healthy. They can make our brains rapid and calculate information, but health comes from another seed. I am going to travel to the Eastern countries because they have hidden labs where they experiment on humans; we are not allowed to do such work in the West. I am from the West, and I have always lived here, but the world is becoming one, though laws still differ everywhere.
I had an Aunt Bettina who had a pacemaker, and when she went through airport security, she had to tell them she had a machine that helped her heart beat correctly, and she was forced to do an all-body scan to be allowed on a plane. She didnât want them to think she had a gun or a bomb secreted in her body. She was an old lady. She didnât travel much. But when she went to Florida, her medical secret had to be revealed. She died eventually, as everyone does.
The implant I have in my brain is made of plastic and metal, and nobody told me if it would set off an alarm at the airport. I donât want to tell the security detail that I have a chip in my head because itâs top-secret, and I donât know how Iâll get through. I have to go to the East on my mission. I focus to try to figure out my problem.
Nobody can discover my mission. They canât know. I work for an agency, and if the boss told them I exposed my assignment, they would murder me.
I think of my Aunt Bettina and how delicate she was when she was old. Since she had a pacemaker, she couldnât drink wine, and she could move her arms above her head. She could go line dancing, but not the wild dancing she did when she was young. Itâs difficult to be old. Thatâs why Iâm doing this. Because I donât want people to wither and die, and burden society.
I think aging is a curse. I think people who live to be elderly are destined to suffer.
The idea comes to me when I am putting together a table for my entertainment system. I can tell the airport security I have a screw in my head. I could tell them I had surgery and itâs there to keep the procedure in place. I donât think the guards know much about neurosurgery, so my ruse should work.
I wait in line for my plane to the East. I have my passport and boarding pass in hand. A sign that says, âPeople with pacemakers, ICDs, and other implantable devices, wait to the left.â
I go in the shorter line to the left.
âI had brain surgery, and I have a screw in my head,â I say.
âA screw?â the woman says.
âYes, it keeps me together.â
âOkay.â She shrugs.
She scans my body. She finds the metal in my head.
I take my luggage and go to the correct gate.
I am helping unearth the path for humans to thrive. Almost forever.
by submission | Mar 6, 2020 | Story |
Author: Guy Preston
We were at Evanâs house when he asked me if I wanted an old record player. I told him I didnât. He picked it up and made for the door.
‘Where are you taking it?’ I asked.
‘To the curb,’ he replied.
‘Why?’
‘It will disappear,â he said.
He walked out and put it down. When I was leaving I noticed the record player was gone.
A few days later I went back to Evanâs house. On the lawn in front of the house, my skin prickled. There was a spectre of a machine in the place the record player had been: the ghost of a turntable.
When we were inside I asked Evan, ‘Have you done that before?’
‘Done what?’ he asked.
‘The thing with the record player,â I said.
‘All the time.â
‘Does it always disappear?’ I asked.
âYes,â he paused. âWhy?’
âDonât you think itâs weird?â I asked, âThat it just disappears?’
‘No,â he said, âthis neighbourhood has a lot of foot traffic.’
I was silent for a while.
‘Is it always good stuff?’ I asked.
âI think so, I mean, itâs good to me. Couches and stuff,â Evan said. âI put an old shower curtain out there once and that disappeared.’
‘I would never take an old shower curtain,’ I said.
‘One man’s trash,â said Evan.
‘Some trash is just trash,â I replied.
One week later I came back with an old bedside table I had been keeping under my house. I put it on the curb and I made Evan sit with me and watch. When we were sure it was not evaporating, we left to paint figurines in the study. Thirty minutes later I checked and it was gone.
‘So fast!’ I said.
That same day we started taking real chaff to the curb. An orange, some lace, a cardboard box: after a while they all disappeared. Finally, Evan found an old shoe covered in mud and dust.
âHere is something that absolutely no person would take,â we thought. It was not a particularly nice shoe, and it was more dirt than shoe.
We tied a piece of string to the shoe and put it on the curb. Inside the house, we closed the front door and sat on the floor. After twenty minutes there was nothing, another ten, still nothing, and then, after an hour of dozing and talking about our lives, zip, and the string was ripped out of our hands. We opened the door and saw no sneaker, and what little remained of the string lay next to the curb, leading toward Evanâs house.
‘Okay,’ I said. We went back into the house and tied a rope around my waist. ‘Wish me luck,’ I said. I went and stood on the curb. I waited.