For Naru, and for Maeâ€™s bedroom wall.
I had a scrambler at home, up on the shelf where it wouldnâ€™t be noticed even if someone was looking. It was long and thin, like the baton they used to wave over your body when you set off the metal detectors at airline security. I always kept it carefully polished. On nights like this, when Iâ€™d come home tired and drained and sick of punching in and punching out, I would pull it down and run it over my face, my hair, and my body. Then I would go out.
I had different personas, different faces, for all of my favorite moods. One was Abigail, an overnight check-out girl at the local Safeway. When I was her I was simple but bubbly, very cheerful, blue-eyed and sandy-haired. Then there was Ronnie, my Wednesday night, the anachronism, stuck in her beehive-hairdo past and always calling everyone â€œsugar.â€ Some of my other lives even had friends and acquaintances, people who recognized me only as the fantastic concoctions I wore after dark.
Sometimes Iâ€™d be celebrities, but only at home. Iâ€™d never go out with someone elseâ€™s face; thatâ€™s illegal, and anyway it would prove I had a scrambler. The government banned them about a year and a half ago when bank robbers kept changing their faces for each crime. I donâ€™t think itâ€™s so bad, though, to want to be someone else for a night. You could do it with makeup anyway, so whatâ€™s the difference? The scrambler just gave me more choices.
None of my friends knew. To them I was just Hester, the plain and quiet one. Sometimes my girlfriend Janie would sit me down over coffee and give me her patented worried look. Sheâ€™d tell me that working in a factory all my life wasnâ€™t saying much, that I should get out of this rut, try to find something better. I was worth it, she told me, with that too-sweet pout that I knew meant she didnâ€™t really believe I was worth it at all. I hid my smile and told her I was fine, that I was perfectly content to be somebodyâ€™s support, to stay second-best. She smiled because she knew that by â€˜somebodyâ€™ I meant her.
Those were the nights when I would put on my most coveted face, the most rare. Those were the nights when I would be Tera, the star, the elusive punk-rock sensation who never scheduled a gig but was always welcomed with screaming fans when she dropped into a club to play for the night. I rode the sea of adoration and smirked to see Janie fainting with joy like the rest of them. The scanner stayed safely tucked away in Teraâ€™s jacket. On those nights, this was reality, and Hester was just our little secret.
365tomorrows launched August 1st, 2005 with the lofty goal of providing a new story every day for a year. We’ve been on the wire ever since. Our stories are a mix of those lovingly hand crafted by a talented pool of staff writers, and select stories received by submission.
The archives are deep, feel free to dive in.
"Flash fiction is fiction with its teeth bared and its claws extended, lithe and muscular with no extra fat. It pounces in the first paragraph, and if those claws aren’t embedded in the reader by the start of the second, the story began a paragraph too soon. There is no margin for error. Every word must be essential, and if it isn’t essential, it must be eliminated."
We're open to submissions of original Science or Speculative Fiction of 600 words or less. We only accepting work which you previously haven't sold or given away the rights to. That means your work must not have been published elsewhere, either in print or on the web. When your story is accepted, you're giving us first electronic publication rights and non-exclusive subsequent publication rights. You retain ownership over your story. We are not a paying market.
Voices of Tomorrow
Voices of Tomorrow is the official podcast of 365tomorrows, with audio versions of many of the stories published here.
If you're interested in recording stories for Voices of Tomorrow, or for any other inquiries, please contact email@example.com