by J.R. Blackwell | Jun 2, 2006 | Story
Angel was used to doors shutting in his face, the slap of glass sliding doors, the definitive clunk of plastic automatic doors, even the thump of an old fashioned wooden door. On Earth, people live with shut doors and masked faces. Angel went barefaced for his missionary work. He was used to speaking to the masked faces of earth, every imperfection covered by plastic that betrayed no emotion unless the user ordered it. To have his face naked, as unfashionable as it felt, was part of first yearlong mission.
Angel wasn’t any more successful than any of the other missionaries, but speaking the word of God felt right to him. He signed on for another year, to preach the word of the third and final coming of the Christ, who would be all the prophets together, the Buddha, the Kristina, the Jesus, the Renee, the sacred prophets in one body.
The Church of the Final Prophets sent him off world, to preach to non-humans. Popular opinion in the church was that aliens had different Gods than humans, and that they lived under different holy law. Angel didn’t believe that. Angel knew they were all under the same God, and that a Messiah could come from any race. Perhaps the next Messiah would come from an alien race, and if that was so, he wanted to be ready when the prophet came.
Few humans ever came to the Singia home world; there wasn’t much there but muddy land and sea, and the terrible smell. The smell was a mix of sulphur, seaweed, rotten eggs and rotten fish. Angel hoped that he would get used to the smell, but what made it terrible was its inconsistency. Sometimes the smell would be strong, and sometimes it would fade only to come back in a nauseating breeze. Angel slept in the warm mud and ate from the silver packages the mission sent to him. He was wet all of the time. These were the sacrifices he had to make to spread the word.
The Singia did not have doors; they had holes that lead to their underwater hunting grounds. The Singia came in green, brown, and brownish green. They had fins, eyes on the sides of their body, and when not swimming they waddled comically on the surface. Short, but wide, they would turn one flank of their scaly bodies toward Angel and look at him through the line of eyes down their scaly sides. For all of these differences, the oddest thing about the Singia was that they listened to him
Angel sat cross-legged when he preached to them. He had never had an audience before, but the Singia came from all over their world to hear him speak. Angel explained to the Singia about saviors, about messiahs, about the spiritual history of humans. The Singia listened, night after night, as he told them about the Law, and God, and how even they could produce a savior. The Singia didn’t really speak, except for low moans underwater, and did not live in any homes or structures of any kind. To speak to their translators, Angel had to stick his head underwater and listen for the drawn out notes to shape themselves into words. They always encouraged him to tell them more about God and his prophets, and Angel felt as if he might convert the entire planet to the truth.
At the end of the year, he felt as if he had spoken to all of the five thousand Singia that inhabited the planet. He had an audience of hundreds daily, and young hatchlings were always being brought to see him and listen to his words. When the ship came to pick him up, he stuck his head in the murky water and hummed a goodbye in the Singia language.
The Singia translator moaned low notes back at Angel. The Singia thanked him for the lovely entertainment his people had provided, and said that if he, or any other Earthers would like to come back and tell the Singia more stories, the Singia would always be glad to listen.
“Storytellers are greatly prized here,” The creature sang ” and you are the greatest we have had in generations.”
by Kathy Kachelries | Jun 1, 2006 | Story
The Terran ambassador arrived in a richly decorated shuttle, bearing several barrels of unfiltered ayula and decked in fabrics that shimmered under the Ryexian sun. The visit was unexpected, so no troops met him at the spaceport to ensure his safety, but he spared no expense and immediately summoned an aristocoach which he paid for with glimmering stones and coins fashioned of yellow metal. When he produced his credentials at the palace gate the guards were appalled: why had he not sent a courier ahead? He had been received as a plebeian, a mere businessman. The ambassador’s reasoning was intact, however. Too much fanfare would have aroused the attention of dissenters, and his three bodyguards were more than enough to ensure his safety. Now, however, in the comfort of the castle, he did not oppose to being treated like the Terran rulers he served.
The ambassador lounged in his luxurious guest room, sampling the Ryexian pleasure women and drinking the finest gallawine. His gifts spoke wonders of his native land: jewels, perfumes, and spices so fine they made the Ryexian seasonings profane by comparison. Little was known of the Terran homeworld, as the Ryexians had not yet developed interstellar technology. Among the most exotic of gifts was a bird with plumage that fanned into a shimmering wall of color. A peacock, the diplomat explained. He had come to negotiate trade arrangements, and was prepared to bring samples of Ryexian production back to be inspected by his ruler.
There was no shortage of businessmen and merchants eager to offer their products, hungry for export profits and desperate for the prestige of being affiliated with such an advanced world. They refused the ambassador’s offer of payment. These were gifts, gestures of goodwill towards the Terran ruler. When the ambassador left, his shuttle loaded with riches and sample products, he was seen off by a crowd of the most important names on Ryexia. He swore to return in three months’ time, bearing contracts and more gifts to show the limitless resources of his homeland.
Three months passed, then four. Five, six, before word from the Terrans. “We have been waiting for your highness’ response to our gifts,” the Ryexian king said with deference.
“Your gifts?” asked the Terran ruler.
“Given to your ambassador.”
“Our ambassador has not yet contacted you,” said the ruler.
And that was how the Ryexians learned the Terran way.
by B. York | May 31, 2006 | Story
The glow of a television never graced two happier faces before that summer day. Aaron was blonde and wide-eyed while next to him, in an almost mirrored image save for the black hair, sat his friend Hamel. Both children were staring at the images of a mad scientist and kid from the 1980’s flying around in a steel contraption through time. One might incorrectly assume there was a science fiction special on. Try the history channel.
With a frustrated look, Hamel turned to his friend and curiously inquired, “I say, do you ever wonder if people have already changed history without us knowing? If, forty years ago, some madman had come and swiped our parents, neither of us would be around. So forty years ago, we could stop existing.”
Aaron raised a brow. “That might be the dumbest idea I have ever heard. People can’t travel in time. If they did, then there would be nuclear wastelands everywhere and bad people would prosper.”
Despite the comment, Hamel just shrugged and turned back to the screen to watch the time-travel shenanigans continue. Both sat in silence until a commercial.
“What if good people had control of the time machine?”
The blonde boy just sighed, “You can’t tell if people are good or bad, dummy. Bad people would eventually get their hands on it anyways.”
Hamel lifted his head up high, his expression unchanged. “No. I believe in a good nation. One with values and a belief that people can be good.”
“Not all people are good. Some people have to do bad things to get to the good.”
Both children shut up for a moment after the movie came back on. The one-liners, the classics shot from the speakers. A voice from the kitchen rang out into the living room interrupting the two and their cinema reverie.
“Aaron Francis Hitler, you have been watching television all day. Get your rear in here and help your father clean the dishes.”
The poor embarrassed youth rolled his eyes and started to get up off the floor, followed by Hamel’s giggles. “Your middle name is funny,” the tall child next to Aaron teased.
Sticking out his tongue, the blonde boy turned to go towards the kitchen, “At least my last name isn’t the same as a car!”
Pouty-faced, the dark-haired boy yelled after Aaron, “At least Lincoln is an American name!”
by J. Loseth | May 30, 2006 | Story
“Iljek, it’s time for another piece.”
The Interplanetary Artist Laureate, holder of the Sigil of Creativity, founder of the Union of Visionary Crafters, chair of the Board of Humanities at Reykjavik University of the Arts, leaned back in his lounge chair and put his porn on mute, giving his assistant a long-suffering sigh. “You’ve got to be kidding.”
Elarii bit her lip and tried to hold Iljek’s upside-down gaze without letting stress get the better of her. Breathe. Breathe. That was what her therapist had told her. Deep, calming breaths. Elarii took a quick sniff of oxygen from the decorative tube affixed to her robes at the shoulder. Calming breaths. “No, Iljek, I’m not. It’s been almost four months since you produced any new art.”
Iljek snorted and glanced back at the holo-dish projecting his entertainment. “So the creative spirit hasn’t hit me yet. Tell the papers I’m sequestered in meditation or whatever.”
“That’s what we told them last month,” Elarii told Iljek, reaching down to surreptitiously turn off the alarm on her blood pressure meter. “Last time it was three months. We can’t just keep stringing them along without anything to show for it. You need product.”
Iljek sighed and sat up in his chair, scratching his head with one hand and his balls with the other. Elarii had been on him for several weeks about this, but the tone in her voice told him she was getting desperate, and that meant it really was time for him to earn his keep. “All right. Bring me a recorder.”
Relief thrumming through her body, Elarii came around to the front of the chair and set down the silver cube she’d had prepared for the last two months. Hesitant to do anything that might break the fitful spell of productivity, she didn’t speak, just turned on the device and backed away. Iljek held out his hand and she pressed a baton into it, the sophisticated tool that would tell the three-dimensional recorder what to paint in the air in response to Iljek’s creative vision.
Standing slowly, Iljek faced the recorder. He was silent for several moments, and the hush over the room was only accented by the soundless ecstasy of the porn star writhing doggie-style in front of the dish. Elarii stayed absolutely still. She wasn’t worried about disturbing Iljek’s ‘creative process,’ but if he got distracted, there might never be anything to show for this brief moment of responsibility.
Suddenly, Iljek’s hand shot out, and a splash of colour appeared in the air in response to the movement and angle of the baton. A quick twist and the shape took on a metallic sheen. With gyrations almost as complicated and random as the image itself, Iljek soon produced a visual cacophony that closely resembled the regurgitated spleen of a Geritenal llama. The artist grinned and stuck the baton into an empty beer can, chucking the contraption through the recording area with a final flourish, creating a puce-gold splotch through the center of the image. “There,” he said triumphantly, putting his hands on his hips and then flopping back into his chair. “How d’ya like that, huh?”
Elarii smiled with pure relief. “It’s perfect, Iljek. True creative vision.” She moved forward and carefully disentangled the baton, turning it off and setting the recorder to freeze.
Iljek grinned like a madman and resettled his underwear over his skinny artist’s stomach. “Now where’s the remote…? Ah, thanks.” He took the device as Elarii offered it and hit the dish back on, settling in with a happy sigh.
Elarii shook her head and carried the recorder away, leaving Iljek to his holo-women and ‘creative juices.’ She locked herself in her office, a room used only once every few months–if she was lucky–and placed the recorder on her desk. When she pressed the button, Iljek’s creation sprang to life, in all its three-dimensional glory. Elarii frowned at it for a few moments, deeply considering the swirls and splotches arrayed chaotically across the canvas of air. Everything was still.
At last, her eyes brightened, and Elarii picked up a stylus and turned on her computer monitor. Across the top of her screen, she scrawled Inverted Innocence–the suffering of the Ternean meteor disaster. Sinking back in her desk chair, Elarii smirked. This one would be easy; the art institutions of the galaxy would have her heart-wrenching interpretation of Iljek’s scribbles within the next forty-eight hours. She’d have to clear her schedule to accommodate the coming lecture circuit.
Stylus in hand, Elarii bent over her tablet, scribbling away. Now the real art could begin.
by Kathy Kachelries | May 29, 2006 | Story
Herbert Mumble was proud of his house. He had every right to be: he’d spent nearly a decade compiling it. Most of his friends had bought discount single-structure mansions in the Midwest and used a portal to get to work, but Herbert wasn’t the type to buy pre-fab. Herbert was an artist.
It started as a studio in Key West, which was expanded to a one-bedroom when he purchased another studio in Calcutta. While his coworkers were deciding on whether they wanted one or two stories, Herbert Mumble was choosing continents. Now, nearly completed, his house spanned twelve countries and existed in every hemisphere, providing views that included the Eiffel Tower, the shores of Thailand, and the vast expanses of the still-rural Australian Outback. Herbert took pleasure in hosting business dinners in Beijing, or entertaining dates on his balcony in Madrid.
All of the research had been done on his own time: Herbert didn’t hire an agent. He learned the patterns of the market and bought when the time was right, and because of his patience, the house was worth nearly twice what he paid for it. Still, it hadn’t come cheaply.
“It’s beautiful,” a friend said when she came over for dinner. She’d been standing at the window of the living room, looking out over Brazilian beach. “But why didn’t you just install viewscreens?”
Herbert leaned past her and grabbed the edge of the window, pulling up. A gust of hot air pushed through the crack, carrying with it the crisp, salty smell of the sea. “Feel that?” he asked with a smile. “You can’t buy weather like that. Somewhere, it’s always sunny and it’s always summer. The trick is to find that place and build a house.”
