by J.R. Blackwell | Dec 11, 2005 | Story
Moresheck was one of the brutish, ham handed psychics that roamed the twisting urban alleys of the north face of Mars. All his rapes were consensual. All his fights were fatal. He was a free citizen bound only by his ability to pay for damages, but no one ever got far enough to charge him. Getting close to Moresheck meant getting lost in a personal hell.
He was thirteen when he had been manually altered, sold by his parents to the Corporation that ran Mars, pumped full of steroids and a cloud of little machines that created a complex cocktails of enzymes designed to produce emotional reactions in a projected subject. Years later the practice had been outlawed but by that time Moresheck had twisted enough minds to get himself made into a free citizen. Even the government Pods couldn’t touch a freeman. He wore yellow to appear dangerous and sleek, but it was the brain cocktail that really made people quiver. Moresheck wandered the streets invading minds, thrashing around in higher consciousness like a mad bull in a shop of Venetian glass.
Sleeping was the dangerous time for Moresheck; it was only then that people could hurt him. Moresheck stole pills so that he could stay awake for a few weeks before collapsing. When he did sleep, he crashed in empty apartments and in the deserted Martian sewers, where streams of mud slugged slowly under the planet.
Moresheck first saw the dark man outside the sewer one morning, just sitting, watching the sky and smoking as if he didn’t see the giant brute emerging from the sewers. Moresheck thought about taking his cigars, smoking was illegal and cigars were a hard item to find, but for some reason Moresheck just passed him by. Two days later, the dark man was outside a shop where Moresheck had convinced the employees to fit him for new clothes. Afterwards, he tried to remember the dark mans face and realized he could not. Not one detail. Moresheck began to grow worried. What if he was becoming schizoid? It happened, sometimes, to psychics, especially powerful ones. Maybe the dark man was his mind playing tricks.
After that, he saw the dark man more often, standing on buildings looking down, at cafes and hubs and transport docks. As much as Moresheck hated the figure of that dark man, he was for the first time since he was a child, afraid to approach someone. What if the dark man has the power to hurt him, or worse, what if the dark man wasn’t real, what if he would dissolve when Moresheck got too close?
Moresheck felt a heated pressure growing inside his body and he needed to blow it off, to relax again. Moresheck headed to his favorite little spot, one he saved for special occasions, the one with the girl with the small hands. Moresheck thought of her as his girl, his alone, the one who would love him and wait for him. Her mind was so soft, she would say whatever he wanted, however he wanted. An hour with her, and he could forget about the dark man.
The dark man was waiting in the street outside the girl’s place, hands jammed in his pockets. Moresheck tried to memorize his features, repeat them back to himself but they drained out as quickly as he said them.
“I think you’ve done enough.” Said the dark man, reaching into his coat. Moresheck concentrated. If the man was real, he would bend to Moresheck’s will. The man just stood there as the brutes face puffed red.
“I pay for all my damages.” Said Moresheck, shaking his head.
“I’m not with the Pods.” Said the dark man as he reached into his coat. “I don’t care about your crimes.”
“You are not real, dark man. You can’t hurt me.”
Moresheck ejected the little chemical compounds, the little bugs that changed the minds of his victims. The man pulled his hand out of his coat. Moresheck was surprised to see that it wasn’t a flash gun. It was a tissue. The man blew his nose.
“Buddha’s belly, Moresheck, your ejaculate makes my head hurt.”
“Fear me.” Said Moresheck, trying to inject strength into his voice. It was flat. He spit on the ground and scratched his hands, releasing more of his cocktail into the air. The mans nose bled, but there was no fear in his face.
“You’ve been all over this city, raping whatever moves, taking what’s not yours, splitting minds, making madness. It’s over, you are done.”
Moresheck roared with the temper of a thirteen year old boy defied, red faced, he rushed at the man in the long black coat, screaming. The man cut his own hand with an unfolded pocket knife, and splattered the blood on Moresheck s face. The blood boiled on Moresheck s skin, like acid on plastic, bubbling and warping. Moresheck launched himself at the dark man, wrapping his huge fingers around his throat. The man struggled, smearing his bloody hands over Moreshecks melting skin. Moresheck roared in pain, and then his eyes rolled back into his head, his body convulsing, a cloud of metallic dust blowing out his nose and mouth. Moresheck collapsed and the dark man rolled the giant off of him and stood, shaking his bloodied hand on the red dirt, which sputtered and fumed at the with the touch of the acidic droplets.
The dark man rubbed his throat where the prints of Moreshecks fingers were bruising his skin and clutched his hand, waiting to feel relief.
by Kathy Kachelries | Dec 8, 2005 | Story
The glass beads were black and white: tiny flattened circles that made a loud clattering sound when he emptied the bag onto the glowing white floor. Most of the 1,394 settled within a few feet of his legs, although a few rolled to the outer reaches of the room.
“The problem here is that you don’t understand the potential,” Sudoku told her without lifting his attention from the beads. “You use this thing to play games and watch stimvids. You’ve never even opened the console.”
“And this is the console.”
“This is what the console looks like today.”
From her position on the floor across from him, Ery glanced around the room, then snorted. “Nice. Well, now that that’s over with, I’m going to go finish my coffee.”
“This room isn’t actually empty,” he said when the edges of her body started to shimmer with logout. She recondensed with a sigh that was slightly louder than necessary.
“I know an empty room when I see one.”
“There’s me. And you.”
“And stimvid pickup lines, apparently. But there’s coffee back in your apartment, and it’s winning.”
He wiped the beads into a small pile, then swept them onto his palm before spilling them over the floor again. “What’s a stimvid, Ery?”
“I’m not going to justify that with an answer.”
“It’s a program that shows you exactly what you want to see, right?”
“Right.”
“Because the program is written to pick up on your unique desires. Imagine what kind of engine something like that would have to run on. And don’t even ask about the hardware.”
She sighed. Although he didn’t look up, Sudoku recognized the expression on her face.
“Go touch the wall,” he told her.
Ery stood up and stepped around the pile of beads with uncharacteristic care. Beneath her fingers, the wall was smooth and glossy, reflective. She followed it to the corner as she searched for imperfections. None.
“What does it feel like?” he asked.
“Plastic.”
“Because that’s what you expect.”
As her fingers dragged along the surface, it became rougher, softer. In a brief flicker, she saw warm patterns of woven fiber, plush reds and yellows swirling together only to disappear into blank whiteness an instant later. Ery stopped. “What was that?”
“It’s a Persian rug. You’ve probably never seen one.”
“I know what they are. But-”
“It’s just a matter of deciding what you want to see, then seeing it. You’re doing it right now, but you don’t realize it.”
Ery pulled her hand away and squinted at the featureless blank. When it yielded nothing to her scrutiny, she returned to her place opposite him. “What am I changing?” she asked.
“Me.” Sudoku emptied the bag again. This time, most of the escaping beads were deflected by Ery’s seated body and settled back in the space between them.
She frowned, and waited.
“This isn’t what I actually look like.”
“I’ve seen you thousands of times.”
“Exactly. You’ve seen me thousands of times.” Neglecting the beads, Sudoku met her eyes. “Right now, I’m the person you picture when you think about Sudoku. I’m not the person I see when I look in the mirror. Likewise, you appear the way I see you.”
“What do I look like?”
Sudoku chuckled. He began gathering the beads again. “I told you. You look exactly like you look on the outside. To me, I mean. You look the way I see you.”
“So if you can change the things in this room just by thinking about them in the right way, why do you do the bead thing? If you created them with your mind, don’t you already know how many there are?”
“It’s not the counting,” Sudoku said as he scattered them for a third time. They lay around his legs, disregarded, waiting to be numbered. He bit his lip and stood up as he searched for phrases. Language had never been one of his strong points. “I don’t even think about the counting. My mind does that on it’s own. It’s more about the pattern when they fall out. I just can’t deal with these rooms. Everything is so…” he took a few steps, facing the wall, “so easily controlled, I guess. But if I create enough beads the mainframe has to take over and control them as they fall. The more I watch it, the more I understand the mainframe.” He turned to face her.
“So what happens then?”
Sudoku smiled for four seconds before closing his eyes to log off. As his image flickered away the uncounted beads dissolved into ether, but Ery hesitated, wondering what would remain after she left.
by Jared Axelrod | Dec 7, 2005 | Story
“There’s an element of theatre to all this, ain’t there?” the sheriff said. Malachai Singh was a gruff man, but a fair sheriff, and Sister Britney took this into account when she spoke to him.
“Jeddeloh is our home. We’re here to assess the damage, get some closure.” She motioned behind her to the hundreds of people bottle-necking through the checkpoint. “For we have sworn we shall return to our homes on this day no matter who or what shall–”
“Save the speeches for the cameras, Sister.” Sheriff Singh pushed the brim of his hat back and squinted in the glare of the twin suns. “I got eyes. More’n two-thirds of these folks have been back here already. This here is grandstanding.”
Sister Britney brought herself up to her full five feet, wimple bristling. “I will not have you belittle our impassioned and brave re-entry into this disaster area that was once our home!”
Sheriff Singh slowly sat down in the dirt, his back toward the two suns and sluggish crowd under them. Directly ahead of him, miles off, lay the massive crater the locals had taken to calling “Judgment.”
“You ever been in dust storm, Sister? Me neither, ’till me and my boys got caught in the one that meteorite kicked up. It’s like a swarm of insects, ‘cept smaller and bigger all at once. And you’re swimming in that, that and ruins from the impact of the blast. Nothing’s solid, you know? Everything falls apart easy in a storm like that.
“I had a boy on my force, shot himself in the head. Right in front of his co-workers, he did. Like the job wasn’t hard enough on them already.
“You left, Sister. You and those who could, you left. I ain’t gonna preach to a woman of the cloth, but you aught to choose your words better next time you open that mouth God gave you. I’ll give you impassioned. But this ain’t bravery. The ground’s too clean.”
Sister Britney placed her hand on Singh’s shoulder. She searched for something to say, half-remembering a sermon she had given for a televised benefit some years back, on the rewards of hardship. But it all vanished from her mind when Sheriff Singh grabbed her hand and held it tight. Sister Britney looked back at what remained of the city she had once called home, and then turned to take in the devastation that small rock from space had caused upon what had once been pristine farmland. The lack of contrast forced her silent.
The suns were still low in the sky, as the two of them stared at the crater, one on the ground and the other seemingly using the first for support. The air had a distinct chill to it, and the shadows ahead of Sister Britney and Sheriff Singh were long and lean.
by J. Loseth | Dec 4, 2005 | Story |
The cloister, in the grand tradition of all ancient edifices like it, is cold. It is by necessity metallic, unlike its predecessors, but as if to make up for this failing, its cold is that of the utter desolation of space. To walk inside, I must wear a full survival suit, though gravity is maintained for the sake of the visitors. It does not impact the nuns in the least.
The cloister is composed of only three rooms. The foyer contains the airlocks, used by visitors and maintenance workers alike, as well as official dignitaries from the church. It is also the house of the cloister’s huge crucifix, depicting Our Savior in his moment of sacrifice. To the left is the control room, accessible only to those who come to maintain the station’s mechanical systems. Directly below the crucifix is the door that leads to the chamber of the nuns.
They hang on the walls suspended, preserved, each encapsulated in the soft blue glow of her life support pod. They are frozen in time, heartbeats only once a year, in perfect homage to He who drew them here. There are no novices in the cloister. The cold, silent hall is the pinnacle of a nun’s creed: from the moment she arrives with her vocation, she is inducted into perpetual solitude, perpetual suffering. Only His true brides, those who intend to spend eternity as His handmaids by eschewing all worldly ties, wish to enter here.
I stare at the faces of the nuns, high above, each illuminated by the humble glow of their chambers. Their faces are similar but unique, each contorted in a different stage of silent ecstasy. Some are worn and caved in. The tissue-rotting microbes have done their slow work over decades or in some cases centuries, blessing the nuns with the sweet scourge of His sacrifice, extended over millennia. These are the faces, drooping and unrecognizable as they might be, that hold the most joy.
They are strong. They are meek. They are beautiful. They are modest. They are filled with conviction. They are eternal.
They are Woman. I am mere flesh.
by Kathy Kachelries | Dec 3, 2005 | Story |
Subject 643-M, age eight, sits cross-legged on the floor. Before him, a wide array of screens flicker rapidly, some with pictures, some words, some numbers. Thick tubes connect from the ceiling to a horizontal row of ports on his back.
He doesn’t remember. He doesn’t have to. Time is meaningless to a Scryer.
The boy’s fingers hover over a small black control box. He touches it sometimes, and images flicker more rapidly, or pause, or rewind. He rarely rewinds. The boy never misses anything.
When he sleeps, he sleeps in front of the screens. He likes the patterns, and he needs the ports. Sleep is a symptom of increased elusidol tolerance, so his dosage is increased to match.
Soon, the boy will be disconnected. The man worries about this. There are 12 others, but this one is the most talented. The man is concerned, but he knows he can get a few more years. He hopes the war is over by then.
The boy speeds through another segment, selecting words and pictures. No numbers this time. It’s not the boy’s responsibility to break the code, merely to locate it. The man hits record, and the pattern vanishes from the screens.
The boy doesn’t remember it. The next feed begins, and he touches the controller, upping the pace. The man closes the door behind him when he goes to check on the other children.
